Symbol Perspective: The Text And Annotation Of The TV Play Series Of Korea

Along with the TV play series of Korea are imported in these years, a whiff of irresistible"Korea Current"has been formed in China. The TV play series of Korea not only lash the vision of the Chinese audience, but also pound the market of the Chinese native TV play series. But comparing with the TV play series of Korea, the Chinese native TV play series, especially the TV play series about young image and family ethics, fall behind by far the TV play series of Korea on the social or the economic benefit. For this reason, we must make an accurate and careful analysis to the text of the TV play series of Korea, according with the theory of the TV culture. We will make use of their experience to develop the Chinese native TV play series.In the light of the national condition of China and the feature of reading-picture times nowadays, this thesis uses semiotics theory to analyze the TV play series of Korea separately about the meaning creation of their symbols,the narrative style,the feature of their rhetoric and the influence of them to Chinese audience. In course the study, the regular pattern of the meaning creation of the texts is found. The writers of the TV play series of Korea weed through the old to bring fourth the new according to the logic relation of the symbols. So the texts embody the traditional culture, they also meet the developing requirement of the times. The narrative and the rhetoric of the TV play series of Korea embody the Confucianism and they get in touch with Chinese audience's culture expectation. For this reason, the Confucianism creates basis what applies to both the text and the audience. So the TV play series of Korea influence Chinese audience deeply.