Research On The Artistic Form Of Shen Jing's Chuanqi

Shen Jing and Tang Xianzu, all is the leader of opera domain in Late Ming. Their dramatic works had reflected in the certain degree at that time what could achieve the highest level. Different with Tang Xianzu, Shen Jing tends to reform the dramatic art form aspect, from the overall, his dramatic work compared with Tang Xianzu's, displays the characteristic which suits the stage performance, concrete table now following several points: In structure, strengthened the theatrical nature, strengthens the story windingly with to be anxious, causes it to suit audience's esthetic demand. The language gradually hastens popularly, but as for is not vulgar, sheng dan jing chou's language respectively has their characteristic in particular, bassically conform to the character "the kind" the disposition characteristic, but still retaining certain diseases which the phraseology sent; In quci creation, the narrating ingredient increases, which has harmed the play works flavor in the certain degree, also meant that its work gradually approaches "the play" tendency evolution. In the performance system, shrinks long for short, in particular zaju the form innovation, enable him in the course which the drama develops to have the model significance; The role system is preliminary mature, in particular, the jing and chou's role division of labor already mature embryonic form; The stage scene is vivid, regarding certain complex, unusual scene, Shen Jing regarding this carries on the careful prompt as far as possible, confessed how performs, has the stage performance script embryonic form in the certain degree, regarding the posterity understood in particular late Ming Dynasty the time opera stage performance actually provided some kind to be possible to help the model historical data.This article intercepts the Shen Jing chuanqi's artistic form ,carries on the overall situation document inspection, and puts it with Tang Xianzu's work (mainly is "Peony Pavilion") in the identical historical to discussion, from two aspects which the literature script and the stage to elaborate their play works'artistic form.The full text altogether divided into three parts: the introduction, the research summarizes, the main text.The introduction part, summary the reason selects the topic, and the proof angle of view, the method and so on.The research summarizes mainly summarize the present situation of Shen Jing's research, including the life story, Qupu and Qu Lun studies, the work research, Wu Jiang pai and "the struggle of Tang and Shen" and so on, and briefly introduces his biography and his works.The main text is divided into three chapters. The first chapter is Narrative Structure. It mainly discuss Shen Jing how to organize dramatic circumstances, the internal arrangements shall ideas ability to be adapted to the techniques.The second chapter is the Language Style. It mainly discusses three aspects characteristics of Shen Jing's plays, as binbai, the comedy style and Qu Ci; thought he is the representative personage who reverses the drama language from elegantly to vulgar.The third chapter is the Art of Performance. It mainly analyzes the script system, the role system, and the stage scene which the movement explanation shows, here mainly carries Tang Xianzu and Shen Jing's plays to comparative analysis.The conclusion summarizes Shen Jing's contribution, the influence which does to the play stagecraft.