Shen Jing's Ideas Of Drama And His Creativity

This article tries to restore drama from texts in hand to manuscriptsin keeping with performance. And from this aspect to comprehend ShenJing's ideas of drama. The article basically study temperament in ShenJing's drama, and mutually explain Shen Jing's drama ideas and hiscreations. The article investigates all the Qupai carefully and thenchooses some of them which is different from those in his own bookGuide of Qupai in order to understand how did Shen Jing use them in hisactual creations. For staining this, the thesis compare these Qupai withthat in other parts of Shen Jing's manuscripts and that in drama work ofother writes who was born around Shen Jing.This issue concludes three chapters which has Preface before andConclusion behind. The Preface introduces Shen Jing's life and dramas,and point out his position in drama's word.First chapter: Shen Jing's drama idear and inviromentThe drama ideas of Shen Jing was focused on temperament in a longhistory, The thesis certificates Shen Jing's ideas was based on dramas thatcan perform on the stage. He was nasty about temperament just becausemost of drama writers at that time ignorant it and dramas could not besing easily.Second chapter: Sentence Repentances in Shen Jing's dramasThere were a great deal of Sentences Repentances in Shen Jing'sdramas which is different with his Guide of Qupai. The Sentences existsbecause they can help the drama to achieve better result on the stage.Third chapter: words reduce in Shen Jing's dramasStudying Qupai in Shen Jing's dramas carefully, it can be found that inone place the amount of a sentence is less than that in his Guide of Qupai while in other place it is equal with. Sometimes Shen Jing choosethe popmodes, and sometimes he changed it by himself, and all of this was onone purpose: Better influence of performanceThe Conclusion points out the subject of the article.