Art Research Of Luoyang Tang Dynasty Tricolored Glazed Pottery

This article attempts to comparing the supernatural object of protectingtomb of Luoyang tang dynasty tricolored glazed pottery with the supernatural object ofprotecting tomb of other different areas and time, and have discovered their similaritiesand differences spot, amd thus highlights the time characteristic of Tang Dynasty'svarious times and the region characteristic, and further understands the supernaturalobject of protecting tomb of Luoyang tang dynasty tricolored glazed pottery's artcharacteristic. It lays the foundation for later cultural relic from the artistic aspect.Simultaneously it inextenso outlines the forming process of the supernatural object ofprotecting tomb of Luoyang tang dynasty tricolored glazed pottery art characteristic, further excavateds some folk existence, the society, the history and the nationalphenomenon of that time.Looking from historical perspectives, Luoyang altogether experiences the 275years from the six years of Zhenguan (the A. D. 632 years) to emperor Li zhu (the A. D.907 years). This time is precisely Tang Dynasty's powerful time. As a result of theeconomical development, the artistic aspect also enters the prosperous time of the feudalsociety. By researching the thesupernatttral object of protecting tomb of Luoyang tangdynasty tricolored glazed pottert: 1, it is propitious to the China traditional culture'sresearch and is propitious to the ancient times outstanding art element introductionmodern design. 2, at that time the Tang Dynasty west abutted on Turfan country, southabutted on the Nanzhao country, north abutted on the Huihe, Qidan and so on. Not onlydo the Tang Dynasty culture receive our country general populace's deep love, but alsoreceives these minorities' welcome. By researching the thesupernatural object ofprotecting tomb of Luoyang tang dynasty tricolored glazed pottert, it is propitious tounderstand why Tang Dynasty's art is accepted by the outside nation, and attempt to findwhy the Chinese modern design is in the lowest ebb. 3, the present Luoyang tangdynasty tricolored glazed pottery production is at the copy condition basically, it ispropitious to infuse the innovation vigor and seek the theory to support for developingthe new product, created the new artistic form 4, it is propitious to further understandthe handicraft development, the understanding art phenomenon and the folk customphenomenon at that time. The existing tang dynasty tricolored glazed pottery research results mainly arefrom the historical angle, or the archaeology angle studies the supernatural object ofprotecting tomb of Luoyang tang dynasty tricolored glazed pottery's the social culture, the historical situation, the religious thought, the funeral activity, the ethnic relationsand so on. But this research focuses the attention in the supernatural object of protectingtomb of Luoyang tang dynasty tricolored glazed pottery's artistic characteristic, theconstitution form, each kind of characteristic under the different historical condition'stime characteristic and region characteristic under the different spatial condition. Haswhat kingd of production craft, how is concrete operates and so on. Next, formerly to thesupernatttral object of protecting tomb of Luoyang tang dynasty tricolored glazedpottery's research mentioned its artistry fragmentarily, and mentioned historicityprimarily. But the keystone of this research is artistic research and regards the t thesupernatural object of protecting tomb with art eyes. Once more, the former researchconcentrates the vision in the content research, but this research is unifies the contentresearch and the form research, thus summarizes the supernatural object of protectingtomb of Luoyang tang dynasty tdcolored glazed pottery's different characteristic underdifferent space and time condition. Finally, to the supernatural object of protecting tombof Luoyang tang dynasty tricolored glazed pottery's art aspect research, specially fromthe artistic design, the color constitution, the three-dimensional constitution aspectstudies is first time, its achievement also is brand-newI go to the south stone mountain village and Luoyang Museum many times, visitsthe senior entertainer and expert of this aspect, go down to the production workshop.From make a embryoto, beginning to burn, paint colour, burnning again, I practise itby myself.I extensively collect information. From the macroscopic and the microscopicaspect, useing the comparison, mainly place this artistic research the ancient times' reallife and in the spiritual life macroenviroument perform to discuss. To unify art and thereligious belief, the funeral custom, the life prevailing custom to research. To use sometheories of design chromatics and on-the-spot investigation's way. I took more than oneyear to complete the introduction, the content research, the form research, the relativeproperty research, the conclusion. It causes the article substantial in content, credible.