Intelligent Revelry-an Analysis Of Wangxiaobo's Novel

This article embarks from the concrete text of Wang Xiaobo's novels, and sets itself under the theory of "SM" of Foucault as well as "the revelry"of Bahejin. From "the revolutionary times love","revelry"statement and"leisurely escaping"to enter Wang Xiaobo's novel world, it applies the criticism strategy of reading attentively to explains its unique artistic charm. The thesis is divided into three parts. In the revelry narrative texts, the author discovered the final goal of"leisurely escaping", with "the saying of revolutionary times"being a key.In the first part, according to Wang Xiaobo's texts of sexual affection scene description and its kidnapped by the authority or not, the author separates it into nature sex and the abnormal sex to illustrate, and discovers that Wang Xiaobo intended to describe the nature sex, which was not contaminated by the authority, as poetry and full of the comfortable natural breath. The sex that is kidnapped by the authority presented abnormal condition, by which Wang Xiaobo described the abnormal sexual affection scene in that time to unfold "the collective pellin problems"and the hypocrisy in tradition culture. Simultaneously he established consciously " oppressively loved", through the exchange of Shi Nue and the oppressive in the "oppressively loves" game, proposed to the validity and the validity of authority, and poured intrinsic strength into sex. Thus it verified Wang Xiaobo, "the nature" position - nature, which was "exists itself", and has achieved a height that constrained the human nature authority and the establishment system.In the second part, the author sets Wang Xiaobo's novels beneath the "the revelry" theory of Pakistan Hekking by the utilization of "the revelry"narrative skill and the image of creation of theory, and finds that he utilized imitation, satirize and satirizes to construct the texts, and to make those serious, grave, great subject in a laughable status so as to completes the frolic dispelling of the "without a doubt" status and significance. Moreover Wang Xiaobo created "the giant" and "the naughty child", as well as various "revelry" stageprop. Through the powerful unconstrained style description, he made the image outside the system breaking the strength of the authority. With careless posture and surmounted super human posture ridiculed authority, he had torn away its hard outer covering and revealed the pale essence.In the third part, though the analyses of former two parts the author discovers Wang Xiaobo carried on true significance from massive sextual affection scene as well as utilized "the revelry" and created image - leisurely escaping. Through created interesting scene and image, Wang Xiaobo puts wander at an unprecedented point. Through describing their attitude of treating the authority and its spokesman who had the grave and ridicule behavior to dispel its rationality and the validity, they leisurely escaped the authority's traps, broke through from human nature barrier, and jumped out the hands of the authority. Creatively getting rid of the dual opposition pattern of authority in the Chinese modern literature, he discovered two individuals: survive itself and the survival necessity in the real world by a brand-new posture from a side to watching critically real life. Through the wander's role in these two individuals, he completed intelligent revolt to the authority. This is the unique charm in WangXiaobo's novel art.From the three parts, the author has completed personally exploration to the depth meanings of "the Golden Age" from Wang Xiaobo. This article is to remember him who is being deeply liked by the author when he has been dead for ten years. As time goes on, the author believed that his works can be appreciated by more and more literatures amateur, and may win its status and appraisal in Chinese present age history of literature.