| Xinjiang figure painting is an ancient art form of the young. The reason why ancient it is because of the Kizil Thousand Buddha Caves representative of the Buddhist grottoes. Early in the Southern and Northern Dynasties and the Sui and Tang Dynasties have reached a very high artistic achievement Kizil Grottoes including a large number of subjects in Xinjiang Buddhist murals, Xinjiang can be said to figure painting is the early form; And that its young, because the strict sense, Kizil Grottoes is not what we are talking about figure painting. Xinjiang's figure painting created with the development, Actually after the founding of new China began. Xinjiang figure painting contemporary art strength and quality of entries, Seeking the country have had a certain impact, have the representative artist to include: Gongjianxin,Wuqifeng,Longqinglian,Lizhuo,Dongzhentang,Leizhongxun,Kangshuzeng,Tuerdi·Yiming,other. They inherit the tradition, on the basis be bold in exploration and innovation, Make full use of Xinjiang's rich national resources and geographical characteristics, Use of minority living in Xinjiang theme, Formed a flavor of life is rich and unique artistic charm of the painting style, Created a large number of unique works in the National Seeking made a definite impact.In this paper, the study of Chinese figure painting to the development of Xinjiang's development course for clues, Xinjiang is combining well-known contemporary artists of traditional Chinese painting figures and the painting style works, Analysis of Xinjiang contemporary figure painting features, explore contemporary Xinjiang figure painting the inner laws of art, Xinjiang figure painting to find creative problem facing Prospect figure painting in Xinjiang's development prospects. Through these parts, Xinjiang figure painting the painting style, technique characteristics, aesthetic ideal, creative concepts and other aspects of analysis, Xinjiang to the development of figure painting provide theoretical support.
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