On The Tribulation Narattiveation In The New Generation Novels

Writers of the new generation in Chinese literary circles raised widespread concern in the 1990s, such as Guizi, Dongxi, Jingge, etc. These writers make every effort to write all sorts of human suffering with a feeling of compassion, such as the hardships of life, the setbacks of growth, pain in spirit, and so on. These misery works have displayed their attention to the bottom populace, and their own morals. But we discovered when carries on writing the miserable daily life, though the writers try hard to construct the building with misery ,but, pursuing the plot legend and piling up the miserable image too crowded, which caused the readers have the suspicion of the origin and the impetus of misery, then diluted readers' miserable feeling; The portray of desire, the processing of extreme character and so on ,all these caused the miserable subjects in the novel turned to poor and weak, and these caused the fission and departs from the motive and the effect of the miserable description. In other words, misery, hardship and pain are difficult to form an overall mood and thinking in the new generation of literary narrative. In the first chapter, I analyze the tribulation which displayed in their writing, for example, the hardships of life, the setbacks of growth, the pain in spirit .The second chapter analyze the weak and poor of the tribulation subject in such aspects as the causal factors involved with the suffering flu dilution, and the desire of publicity suffering retire, to deal with the extreme character and suspicious of the suffering origin. In the final chapter I analyze the reasons of this phenomenon, such as the literary production systems and commercial background, The mental of main body in writing makings as well as writing posture, etc. At last, high expectations are pointed out, we expect the new generation writer to adhere to the force of literature emotion, and insists on the literary criticism spirit, thereby creating better literature, and rebuild the close relationship between literature and reality.