Local Culture And Chinese Landscape Painting

Mountain and Natural as a object of tasting and description since the begin of Chinese landscape painting. For thousands years, comply with the nature (when painting) and you will comprehend the essence always as a invent principle of landscape artist, constantly changing of natural provide the abounding fodders and infinite invent inspiration. So different local and different life experience and life condition makes different landscape school and pencil and ink skill, also create different style and description. In North, the artist which located in Guanshan region as the representative., and in south, the artist who expressing the sight of Jiangnan is as the representative. Because of vast expanse of territory, many nationalities, changes of history, different geography and, humanities, result of the other different cultural and artist school, such as nomadic cultural in north grassland(black soil cultural), Chu cultural(hunan cultural), Bashu cultural, west site cultural(west local cultural),Mingyue cultural(Hakka cultural), Qilu cultural etc.The project will analysis the influence of different local, and with the premise of different area and humanity environment, discuss the different structure of artist in facing the life and the process of comply with the nature (when painting) and you will comprehend the essence. Although hunan local landscape as a key point cultural in Hunan, always stand as a edge condition, can not seize a rational position, so the project will be enthusiasm and with epoch characteristic.