The Analysis To Musical Character Of Lieds Composed By Beethoven

Beethoven was a prominent musician in the history of music,he was not only a master of classical style, but also the pioneer ofthe Romantic style. Lied,with it's abundant techniques and formsof expression to show that the feeling of human. As a master ofmusic, Beethoven to give quite concern to lied.He was a pioneerof German lieds, in his life, he had been composed lieds 60 morewith piano accompaniment. In the field, he made an extraordinaryachievement. This paper is focused on his lied, the point ofanalysis were from the melody, harmony to form. In this songs,therich development practices had beed used by Beethoven, such asthe "cell motives", sequence and so on. From the uses of harmonicmaterial, the characteristics of harmonic progression to the layoutfor mode regulation, the type and characteristics of accompanimentorganizational structure, which are based on the traditionalclassical functional harmony. In particular in support and wassupported, the solve and to be resolved. On the basis of these,Beethoven has applied romanticism characteristics of the acoustictransfer practices, like the unexpected harmonic progression,thesecond, third relationship transfer far.In musical form, Beethoven had not only applied the simplebinary form and the simple ternary form generally, he alsoapplied some forms non-conventionally like more sections form,rondo form etc. according to the different expression of musicalcontent. The song cicle from had been pioneered by Beethovenprovide important lessons for future generations. He not onlyinherited the classical lieds and musical styles, but also laid thefoundation for the development of romantic lieds. His lieds is notonly treasures of vocal art, as well as important reference to othermusical works by Beethoven.