Contemporary Chinese Film Under The Conflict Of Post-modernism

Since capitalism has become worldly economic and cultural state, Chinese culture dropped into marginal position in the worldly cultural system. Returning cultural center has been lasting impulse of Chinese scholar. Postmodern philosophy claim that border react against center and extinguish contrast of border and center. This precisely fixes in with the state of Chinese scholar. Thus China on explaintion of postmodernism has just been behaviour of the impulse. Because it expressed variety and opposition tactics, postmodernism inevitably caused all-round impulse to cultural sensitive zero—Chinese contemporary film from thinking to sight and gave rise to a party of postmodernist film. The film calls for personal independentable dialogue and showed dejection—style of variety, opening, interim, uncertainty, dialogue of caricature, devoid and pale ideology, analysis anxiety and complex innovation. This contradiction led to obstacle of explaining the kind of film. In order to catch essence of it , it's necessary that we firstly think postmodern theory an deeply explore Chinese contemporary film affteced by postmodernism. Thus, the structure of the article is from the explaintion of postmodern theory to Chinese film art in the postmodern lingual environment. Chapter one discusses social source of postmodernism, theoretical feature and emission in China, especially permeation in Chinese contemporary film. In theory postmodern in contemporary China has been thrown light on. Chapter two try to assay and comprehend creation of Chinese contemporary film. Chapter three deeply think over cultural structure of Chinese contemporary film affected by . Ending outlooks the future of Chinese film and hope that Chinese film opened the prelude of rebuilding of own national cultural value during intercourse to the west.