Film Theme Significance Of The Aesthetic Education

The films with a main theme play an important role in China's film market. From the establishment of new China, Chinese film directors have made a lot of this kind of films. Such as:《Mines Fighting》,《Road Fighting》,《The glittering star》,《Stormy seas》,《renchangxia》,《niuyuru》,《choice of Births and Deaths》etc. All these classical films have accompanied us to experience different revolution periods, and the profound thought connotation impressed us a lot with their strong and powerful encouragement on our spirit Also, they improved our aesthetic judgment. This article,according to keeping an eye on"the main theme films"and"aesthetic education", mainly analyzed the meaning that the main theme films have transformed on aesthetic education. Finally, in order to exert their mission of passing on the meaning of aesthetic education, the work explored the possible way out in the future concerning the difficult position that the main theme films facing.Firstly, the article defined and retrospected the definition, history and types of the main theme films, explained the evidence that proves the influences they had on developing and expanding aesthetic education. Secondly, at all times and in all both ancient and modern, Chinese and foreign, people, from Confucius, Mengfucius, Taoism to Cai Yuanpei, Liang Quchao ,from Socrates, Plato, Aristotle to Schile ,Thrusou,Kant, Marks, left an abundant of aesthetic thoughts, making aesthetic education one of the basical spiritual and social problems in the course of modernization. Furthermore, these thoughts have also provided the main theme films with theatrical basis and material condition. Thirdly, different types of main theme films, breaking through time and space, present us with a broader view on history and life. They are our spiritual food and entertained our hearts,and are the basis of being sound in mind and body, meanwhile, they stimulate people's spirit of creativity and racial emotion. The themes of war of resistance against aggression, historical heroic people, the style and features of contemporaries, classical historical subjects, etc. make the audiences fully expressed their psychology of aesthetic during the procedure of watching. Lastly, in the 21st century, the main theme films have been unprecedentedly challenged, the rigid way of building figures, which are all high, great and perfect, the lack ness of being qualified to be appreciated and the quality of art, and the conscious of marketing and commercializing, etc.All these problems have prevented the future development of the main theme films, so, under the big tide of the policy of opening and reformation, the main theme films must draw lessons from the success of commercial films, adopt a way of marketing and mutideveloping to pursue a broader survival and developing space. At the same time, they can also learn the successful experience of foreign films, try and explore new things bravely and rationally. Only in this way can the main theme films welcome its spring of aesthetic education.