On Shi Zhecun Writing "New Year's Lantern Complex"

During the 1930s the Chinese literary scene, Shi Zhecun's Novel Writing is a unique presence: on the one hand he will be active in introducing Western theory of the spirit of creativity, and continuing to tap the true life of this form of the traditional Chinese on the other hand culture and literature, classical Chinese literature and cultural elements into Fiction, a personal unique creation.Shi Zhecun born in Hangzhou, Suzhou lived, grew up in Songjiang, famous in Shanghai, the first door of the Jiangnan Elegant good family style, classical and the literary tradition, the unique geographical and cultural gave him an important influence, even if an ordinary life of (decorated) Commodities, after Shi Zhecun carving embellishment, is rich in metaphor often emotional connotations. " New Year's Lantern " on many other works on the expression of such a (decorated) for complex, which spread in the Amur complex also works on the other. From the regional culture, hometown, and late Mr.Cho, stories often become Shi Zhecun works in the eternal words, the novel basically Suzhou, Hangzhou focal point for a ripple, even if the subject written Shanghai is also home to more than Linked , the book is small, not widely, but the "sleeve, see the course of events" to gentle warm hand of playing a sentimental song, after another condensed……. Creation of these characteristics show stems from the unique author of the inner experience, This paper named Shi Zhecun " New Year's Lantern Complex."This paper on " New Year's Lantern " from semiotics, culture, psychology perspective with specific text on to develop solutions are as follows:-understand how the " New Year's Lantern Complex ?" In specific creation is reflected in how? Why is there such strong " New Year's Lantern Complex ?" How to explain? In just a decade Shi Zhecun creative career has kind of sense how? New Year's Lantern in the Complex since its creation in a continuation of what kind of vitality? Writing in the " New Year's Lantern Complex." What kind of limitations? Paper is divided into three parts:The first chapter - . and " New Year's Lantern Complex." Introduced's collection " New Year's Lantern." Creation of the historical background, Shi Zhecun explore in the novel creation in significance. This chapter focuses on the " New Year's Lantern complex," defined. First, the terms of reference related to Psychology "complex" explained; again, the main symbol of semantics triangle theory, folklore focuses on the knowledge of what is the Shi Zhecun's"New Year's Lantern. complex".The second chapter, " New Year's Lantern Complex," the deep meaning of the main paper. Exposition is divided into four parts:Part I: Being Positive But Cautious About homeland Complex - mainly from the traditional Spring Festival lights cultural perspective exposition Shi Zhecun the excitement in the festival saw the sorrow of the personnel, there are two entries emotional clues: the enthusiasm and juvenile middle-aged pathos. Part II: as a symbol of the emotion of (decorated) for complex - with Ogden and the Semantic Triangle Ruiqiaci traditional Chinese literary theory and the theory expounded symbols, revealed Shi Zhecun tend to articles in the daily lives of expression Emotional psychological tendency. Part III: Wanderer-town Homecoming complex - with the hope of pre-Homecoming Homecoming disappointed by the formation of the psychological gap reflects the homeland of the late Mr. Cho, and life thinking. Part IV: moisten things silently classical complex - from classical poetry and stories into all novels, such as imagery from classical poetry to explore aspects of the neo-classical Shi Zhecun sentiments.The third chapter, unable to give up the " New Year's Lantern Complex" - from - hovering - return to the "" New Year's Lantern. Shi Zhecun major changes in the mind of the decade creative process. Exposition is divided into three parts: Part I: Exploration of transition - from the "Spring Light" attempt. Shi Zhecun impact analysis to accept the spirit of the efforts of Fiction;'s collection, "the first general" in the Spring of some works are still showing signs of a period of light. Part II: After major restructuring - bottlenecks in the struggle and wandering. Shi Zhecun main explore creative "in the first general" and "the rainy evening" after the troubled reflect on the psychological process. Part III: Find Spring lights - return period. Analysis focused on the " Seagull " and "Master Huang," the return of the two works reveal character, and against Yan Jia Yan, Li Ou Fan on "Huang master" of the relevant exposition put forward their different points of view, draw conclusions stung Oxfam Spring of desire to find creative period lights of the shadow.