The Study Of Low-yield Tunes And Works In JiaXuanCi

Ci of XinQiji plays a very important role in the history of Chinese literature and gives great influnces to the later ages. There are many criticisms to XinQiji and his works from NanSong dynasty and many study about his creative work gained great successes in morden times.This thesis studied a very special group of JiaXuanCi,the low-yield tunes and works.Now,there are no article and book had studied these low-yield tunes as an entirety,we just saw some writings studied its content from one side,so it seems there are large spaces of study we can do from JiaXuanCi's tunes.This thesis want to give these low-yield tunes and works proper positive criticisms and let reader know more works about XinQiji from the explorations of low-yield tunes and woks of JiaXuanCi.This thesis can add the study of JiaXuanCi and give some inspiration to the history from Ci to Qu in NanSong and Yuan dynasty.The thesis are composed of three parts.First,give a definition to the study object.We can find a phenomenon from the detailed examples and charts that there are some tunes just had written one or two works but the number of this kind of tunes are very large.These 65 kinds of tunes have 63 percent of JiaXuanCi's all tunes.They tell us the create and change in JiaXuan's inner.Then we explain the study spaces of low-yield tunes and woks from QingYuAn and FenDieEr.Second,we have a concrete study of low-yield tunes and works of JiaXuanCi with three chapters. Chapter one,though some Ci Poetry just as Zuigaolou and Yuhudie are not great number in JiaXuan Ci ,their taste of YuanQu are very bright.We can see the taste not only in the skillful use of"DinZuDui"and"ChongZiDui",but also in the free use of spoken language and proverb. we can see the varied characteristic and charm in XinQiji's Ci .This thesis furnished abundant instances to discuss the phenomenon of transition from Ci to Qu by comparition and examples.Chapter two,we study six tunes which are just found in JiaXuaCi during all South and North Song dynasty,they are very precious in the literature history.For example,ChouNuErJin,though it said imitate LiQingzhao's intonation,it was not same as LiQingzhao.TangHeChuan succeed HuaJianTi of Tang dynasty with its clear and beautiful vigour of style.ShanGuiYao show the creativity of JiaXuan because of its unique tune.Then we induce the other styles in a whole chaper.These works are very novel just as ShuanHuanTou,JiJuCi and ChongYunTi.Finally,summarize the common ground of the low-yield tunes and works,appraise its value and importance.We can say that XinQiji had choiced his style many times because the low-yield tunes always appeared in his early stage of writing.These tunes's lyric tendency limited its number of production.The most important thing is that we can see XinQiji's two faces of charming and originality from the thesis.In one word,XinQiji is a special artist in the history of classic literature.He has many styles in his Ci poetry and this thesis just want to give you a new XinQiji who didn't walk in a common way.