Ancestor-worshipping Celebration is one of "the four-ancient-etiquettes in China". This etiquette, as a cultural heritage, is prevailing in the Hakka Residential Area of GanNan at present, which is an important channel for researching into the Hakka-culture as well as folk-music.This dissertation, focuses on two cases, is established in visual angle of ethnomusicology; To log the process of rituals; To discuss the reason for existing of behaviors of rituals by comparison; To note the music from the local actors; To analyse the music and fond the relationship between music and ritual; To expound the function of music in ritual; To illuminate the everything in the ritual can exhibit its centripetal force.
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