On The Research Of The Features And Styles Of The Bashan Folksongs

According to the field research and with the material of the folksongs of the Bazhong district,this paper,on the basis of the traditional Music, Music esthetics, vocal music study, musical form theory of structures, ethnology and so onmainly focuses on the analysis of the characters and styles of the Bashan folk songs from different apects. The aim is to dig the cultural connotation from ideology of the folksongs in the district of Bazhong as well as protect and inherit the heritage for more analysis and consideration.This paper contains 5 parts: the first part is the introduction which leads in the central ideas by means of showing the significance and the current situations of the topic. Moreover, it described the completion process of the topic. Next,the second part gives a comprehensive research and analysis of the human,natural and folk culture and the origination,spread and development of the Bashan folksongs. In the third part,analysis is used for the division of the genre and the aesthetic characteristics, and it puts more emphasis on the outer form and law. At the same time, the analysis comes from a certain works and song in order to improve the integrating structure and comprehension. The fourth part, however, is the discuss of the styles of the Bashan folk songs, and the paper mainly investigates the inner form and law through 3 aspects: line, intonation and tune, which reveals the deep forming features of the Bashan folk songs. The last part discusses and generalizes the social reasons why Bashan folk songs decline gradually and advice is given to protect and develop the Bashan folk songs.