Discussion On The Musical Characteristics And Performance Of “Haozi” In The Fifth Movement Of“Bashan Yushui”

Based on the text of relevant works,this thesis carries out research through methods including literature research,writing analysis,and practical performance.First,this thesis specifically analyzes the content of the work through two perspectives:the use of “Chuanjiang Haozi” and the use of imitative timbre.Based on cultural elements of Chongqing Bayu folk tune “Chuanjiang Haozi” and how to ingeniously integrate modern compositional techniques,this thesis explores the cultural elements of Chongqing Chuanjiang Haozi in “Haozi” in composer Wang Hua’s “Bashan Yushui”.Subsequently,from the expression of melody,the grasp of speed and intensity,the application of pedals,a detailed analysis in terms of the performance processing of “Haozi” is carried out,and the difficult skills in piano performance are solved combining personal learning and practice in the process of performance.Last,the author’s performance experience is summarized,which helps to improve the ability of performing “Haozi” in the piano work “Bashan Yushui” in the grasp of the performance style,so that it can help to expand the audience’s understanding of the regional folk piano work in Bayu,and everyone can have a better understanding of Chinese folk piano music,develop their patriotism,and feel the charm of Chinese folk piano music.