Moder Folk Vocality And Teaching Theory

Modern folk vocality is a new form of vocality, which is different from the Chinese traditional vocality and from the western bel canto.This thesis respectively combs through the forming basis, development process and the important theories and techniques of Chinese traditional vocality and the western bel canto. Besides, it also traces the track of the development of the education of Chinese folk vocality. By using the method of contrasting, this thesis draws a conclusion that the modern folk vocality is a new form of vocality, which has been developed in the background of certain special culture. It evolves on the basis of the traditional vocality, at the meantime; it also adopts the advantages of the western music forms.The formation of modern folk vocality is inseparable with the teaching, thus the research of modern folk vocality should be accompanied with that of teaching.Adopting a way of stereo structure to research modern folk vocality and its teaching, this thesis describes the inheritance of the good part of Chinese traditional vocality and the borrowing ideas form western bel canto vertically and horizontally. It's written to analysis the tradition vocality and the western bel canto and to compare and borrow the way how modern folk vocality is formed and the method of teaching. Vertically, it offers a detained analysis of traditional vocality and western bel canto. Horizontally, it makes a comparison between traditional vocality and western bel canto as well as the comparison between the teachings of two Chinese famous educators.The research of modern folk vocality not only enables us to get acquainted with the condition and development of folk vocality nowadays, but also keeps us sober-minded in teaching, making the contribution for the development of folk vocality.