The Research Of ChuanShan's Poetry QingJing-Theory

Wang Chuanshan is a synthesizer of Chinese classical situations analects with a wealth of poetics QingJing-Theory. "Poems can express the sensations" determines creative reality status of poetry's "sensations"; "Relation-affection is the gap of elegance and vulgarity" differs between the emotional and aesthetic emotions; "Four sensations" theory transforms "XingGuanQunYuan" theory of the traditional Confucian and poetry teaching to bring it closer to the nature of poetry art aesthetics. Chuanshan carried out unprecedented and detailed classification of poetry situations, and made nuanced study of poem scenes from perspectives of art creation and appreciation.Chuanshan always held the symbiotic dimensions of scene and sensations in the discourse of their relations. He discussed "Scenes produce the sensations", "sensations produce the scenes" to the "excellent combination" states in the art ideas, and analyzed aesthetic images expression of "Scenes in the sensations", "sensations in the scenes" and "excellent combination" in poetry. Chuanshan considered that sensation and scenes were bora in the current aesthetic relations, and made severe criticism of the behavior of separating the both by predecessors. His" it seems that it is glorious that it is displayed just like it existed" and "to write sadness with the happy scenes and to write the happiness with sad scenes" created a new view of scene-sensation theory.Chuanshan's scene and sensation theory agrees with the contemporary Western philosophy and aesthetics. The scene and sensation theory is a generative system. Symbiosis of scene and sensation, excellent combination are current states and current realm of scene and sensation interacting in a certain situation, while the poem sensation and poem scene are generated in the context. In order to emphasize the integration of scene and sensation, Chuanshan made the overhang of the perspective of subject and object divided into two as for "the heart and the thing" and then reached a pure relevance of scene and sensation: any sensations are from the scenes and any scenes are form sensations. Chuanshan introduced "Xian Liang" into the poetry areas to research the psychological and poetry creative mechanism. "Xian Liang means things happen at this moment and has the meaning of current generation and authentication. "Xian Liang theory has the similarities with intuition of Husserl's Phenomenology and reduction to what is included in the things itself in the concepts and methods. However, there are differences between them, Husserl's phenomenology pays more emphasis on "intuitive nature" and the essence of the nature understanding beyond visual perceptual activity can be provided, while Wang Chuanshan's "Xian Liang" always attach great importance to sentimental, emotionally intuitive and the importance of feeling in the aesthetic activities.