This article investigate the history of still life paintings of basic morphological,summed up the traditional various prior to view objects and reveal in the presence of commondefects: will be regarded as adjuncts or human perception is the main object of existence. Thenintroduced the phenomenological nature of intuitive concept of object is the basic principle, and abrief overview of phenomenological methodology factors. Finally, works of Cezanne, Derain,Giacometti, Arikha analyzes how to intuition of essence phenomenology vision to the authenticityof the existing. |