The Research On The Narrative Of Animation

Animation is a unique cultural dissemination vision and art form, it has expressed information from its birth, from the origin and development of animation, it could be found as early as the paleolithic humans that the moving images told the stories and expressed the information, the development of the animation narrative is built on the basis of comic and science technology development. Literature narrative and Film narrative are only one parts of the narrative, the narrative should consider the development of other visual art and the performance of the image narrative, therefore, its significance has showed that the animation narrative is studied from the angle of mode narratology. From the five identified standard that are brought forward by Christian Metz, it is seen that animation is a complete language as literature and film and have the double times with the un-reality event. Animation uses the special narrative symbols to tell the stories and express the feelings. The difference of the animation narrative is of own particularity, which demonstrated mainly from the traits of drawing, phantasm, motility, film thinking and humor.Animation has the special mode of expression in narrative, it is the art symbol that uses the image form to represent the symbolic contents, it seems that express the emotional as the symbolic symbol and the state the world as the structural symbol, which transmits the viewpoint of the originator and the information of the film to form its own unique narrative features and characteristics. From the narrative time of the animation it breaks through the complex time and sequence structure of other narratology, pays attention to use its own image remodeling the narrative time and prolonging, shortening or pausing the narrative time to present the aesthetical and humoristic narrative features. It is known from the observation of the animation narrative space that their screen image is shaped by some symbols like images, lines, colors or shadows that has the function of plastic, ideographic, symbolic and metaphor, provides a certain meaning and mood tune for the narrative, the image space can narrate in the single image, which forms the image screen of multi-visual distance and multi-visual point as the lens image of the film narrative in the connecting of the multiple images, showing the supposition and aesthetic characteristics. From the point of non-intuitive visual, the off-screen space is mainly presented by voice which can shape the visual space, imply the space and even intensify the space by the imaging of audience, thus building the spatial narrative of voice.With the analysis of the receiving psychology of audience and the narrative in <>.It is found that the audience put up several psychological mechanisms in the receiving course, its narrative symbol, time and space, style feature is meet the audience's psychological characteristics, which has made its success of the narrative art. Therefore, our country's animation should take the polish narrative symbol, the humanistic connotation and entertainment of the narrative space time for reference, scanning widely the world to look for the imaginative themes, developing the national characteristic style, inosculating with the sound effects for showing the unique expressive force of the illusion and the rhythm in the animation to narrate the most magnificent audiovisual spectacles.