The Study Of Yuan Dynasty Literati Landscape Painting To Create Habitat

Chinese painting and arts development to the Yuan Dynasty, and display a unique style of the times, the literati landscape painting at the time Yijuntuqi become the mainstream. This article from the Yuan Dynasty scholar's pen and ink landscape painting style features and map style, and other characteristics of the point, the artist made from the angle of consciousness throughout the discussions made in Yuan Dynasty literati paintings throughout the process and characteristics of natural landscapes and artists in conveying the emotional Hobbies and interests, and actively to explore its characteristics and performance of a multi-party reasons, the study compared the Song and Yuan Dynasties landscapes in aesthetic tastes, Implication of Qingzhi and value orientation, and other aspects of the similarities and differences, the literati landscape painting from the Yuan Dynasty in the search for Habitat to create landscapes of contemporary forms of conversion and Qingzhi spirit of the tradition.This paper to the Yuan Dynasty literati landscape painting to "create habitat" for the main content and links actual creation of contemporary landscape painting, to push this ancient, ancient for this, analysis of its formation, development and characteristics. Papers from the introduction on the whole, this theory, constitute a Conclusion three parts.First of all issues in the introduction of the background note on the content and purpose of the study and its significance. Chinese landscape painting history goes back to ancient times, and the Yuan Dynasty literati landscape painting is one of the brightest spot. Therefore, many domestic and foreign artists and scholars to research materials made in-depth and detailed study, but the yuan will be made throughout the process of painting as an aesthetic system to study painting are still the minority. This article is from the aesthetic point of view of Chinese painting and emotional landscapes create awareness on the territory of the Yuan Dynasty, and the characteristics of the contemporary landscape paintings created by positive conduct a detailed and comprehensive explanation.Introduction to the following chapter II of Chapter IV of this part of the author in this specific points made in the Yuan Dynasty throughout the process, characteristics, and the deepening of today's creative inspiration, and so on. Chapter II to Jinghao "technique in mind" as the basis, on landscape painting in the "King" and "thinking" and the dialectical relationship between aesthetics and to the good fortune of this in-depth and nature of the yuan on the impact of creative people, then Qiu He's shape and performance to interpret the Yuan Dynasty scholar strongly express "Yi Qi" and the resulting formation of the "Yat grid", "Yat T", "Yat goods," the third chapter to the Yuan Shi-Shu from the picturesque, with calligraphy and painting Creation of the new concept of yuan to the Lyric features paintings, pen and ink techniques, Congshi Crescent Zhuigen back to the division good fortune to study painting of the Yuan "Yat T" and combine HUANG Gongyi Wang, Zhao Ziang, NI Yun-lin, and other cases of the Made a specific interpretation of the concept of Habitat chapter IV from the old ideas, plans style and aesthetic pursuit of time and space on the Yuan Dynasty literati landscape paintings made throughout the development and deepening of practice. Landscape painting yuan to create content and themes throughout the expansion and extension of the subject matter of detail, that means the yuan artificial habitat development process through "Taikan small" and "Small of the" aesthetic characteristics of the time and space to interpret yuan artificial habitats Means the deepening of the process, and through comparison to highlight the Yuan Dynasty Song, Yuan, made the characteristics of Habitat practices.Finally, in the conclusion of the Yuan Dynasty scholar summed up the characteristics of landscape painting-made habitats, and in-depth search for it today Creation of the positive role of landscape painting.In the methodology, the paper tried to picture the information and analysis on the ancient painting of a combination of,Through the ancient art of summing up the views and cited the Yuan Dynasty handed down to read the works of artistic conception and create habitat practices, to find the development of landscape painting in the Yuan Dynasty scholar image of language structure and the formation of the ink, and made in the case of Habitat, carding a Landscape creative spirit of the Yuan Dynasty scholar, will help efforts to find a contemporary landscape paintings created by a positive factor.