Aesthetic Research On The House Image In The Landscape Painting Of Yuan Dynasty

Yuan Dynasty is the peak of the development of literati painting.The main forms of literati painting are the idea and pursuit of painting they advocated,the painting style and artistic conception embodied under the guidance of their painting theory,and the deep spiritual core of the literati based on the first two points.These three points are the main characteristics of literati painting different from that of traditional Chinese painting.In the second point,the style and artistic conception of the picture is a harmonious and Unified overall sensory effect.The freehand brushwork of literati painting is also one of the goals pursued by western modernism painting,so to some extent,literati painting art is a highland of art development.On the other hand,the spiritual connotation and painting concept of literati painting in Yuan Dynasty are the peaks that can not be bypassed.The author's knowledge is limited,and the study of the whole Yuan Dynasty must be empty,so I decompose landscape painting horizontally and vertically,and finally aim at "house building".In traditional landscape painting,there are nothing more than rocks,water flow,trees,clouds,livestock,buildings and people.In traditional landscape painting,house and wood buildings are different from natural "man-made" scenery.Their special nature must have unusual value and significance.There are a lot of researches on mountains,water,trees,clouds and so on,but there is still a lot of space for the architectural analysis of landscape paintings.What kind of function does architecture have in landscape,and whether the house has independent aesthetic value in landscape painting,and whether it has specific spiritual reference.This paper takes the Yuan Dynasty as the time point,from analyzing the change of the style of landscape painting in Yuan Dynasty,to discussing the painting theory,painting method,artistic characteristics of the buildings in the landscape painting in Yuan Dynasty,to the reflection of the painter's own psychological thought and world view.This paper attempts to start from the unique internal logic mode of the traditional culture of Chinese landscape painting,and combine the unique emotional expression mode of Chinese landscape painting with scientific cognition The combination of reason to understand.To explore theunique position,function and representative spirit of architectural image in landscape painting of Yuan Dynasty.The painting form of Yuan Dynasty landscape painting is innovative and unique,and it also has profound spiritual connotation;the house image is not only a part of the picture integrity and harmony,but also reflects the spirit of the times,artistic creation concept and style as well as the painter's personal feelings.So in the creation of contemporary landscape painting,in addition to the pursuit of ink effect and sensory effect,add some humanistic spirit or painter's own unique understanding and world outlook,will it be better? This paper tries to find out from the traditional art that it can bring a little reference for the Chinese art which is going forward now.