Traditional Decoration Language In Spacialism Design Contemporary Explanation

The current worldwide economic, cultural integration to further accelerate the process of globalization, culture and the arts among the convergence of words has become, especially in the cultural convergence of art and design space brought about by the impact of a strong, so we lost a lot of The traditional language of the timely transmission and development. We have, directly or indirectly, by way of progressive design abroad have knowledge of the language is also to "internationalize" the visual appearance, but in the end to face a confusing, that is, we have room for art and design as a whole can not be formed with Culture commensurate with the face of the truth.. In recent years, China's space in the Art and Design achieved some success, but many in the space of Art and Design works ignored the spread of the object with the aesthetic and cultural backgrounds habits, simple and blindly imitate the Western use of "visual language" has become a common phenomenon, visual Aphasia is the normal language has been designed by the cultural identity I do not know. In the face of such a dilemma in the West to stimulate the culture, as the Chinese contemporary art and design the space taken by one of the important ways to respond to, that the use of traditional Chinese decoration and space language interface to demonstrate a combination of national identity, and in response to widespread. However, this development also highlighted more, the paper analyzed the development of the theory of interdependence and problem-solving ideas and methods.In the space of Art and Design in traditional decorative language of the effective use of resources, the course of the study should be a high degree of cultural standing to think about the globalization of contemporary regional culture and traditions associated with the inherent, traditional culture based on the spirit of the image, the traditional decorative patterns, as As a living organism, it is necessary to see the traditional decorative patterns of culture and historic side, but also to see the traditional decorative patterns and the universality of transcendental side, the traditional focus on the re-integration into the knowledge and traditions Ninglian spirit, based on the spirit of the design Ninglian after the re-decoration language development, so as to achieve space and decorative language interface of organic integration. Hold "Ninglian the spirit of transformation in the form of principles of design, to explore an "in form and spirit, in the form of sublimation, highlight the image of the nation," the design of new roads. This higher level in order to make good use of traditional decorative language, tradition of innovation, globalization can design in the context of the creation of a new national style.Space Art and Design success is a necessary pre-title space to meet the specific functional requirements, and certain forms of beauty. The design is the deep meaning of the "mean" in the form of space is in the middle of function and form in pursuit of deeper cultural meaning. Based on the traditional decorative language of the community agreed to convey the meaning, can be a reasonable analogy to the structure of space and the space environment in order to realize the obvious meaning. From this traditional decoration in the contemporary language in the form of the use of space, not only has the visual landscape in the form of performance, but also through the traditional decoration of the language to convey meaning, the spirit of the space so as to enhance the content and enhance the cultural space, to achieve an extension of context.