Reflection On Enlightenment From Intellectual In Story Writed By Lirui

Since 1974, the first published novel, the various types of Li Rui works have been published over a hundred million words. Have had as a "youth" experienced writer, Li Rui debut late in the literature. When he wrote his masterpiece, in fact, famous for his "thick soil", the "wounds" over, "reflection" is over, "pseudo-modernism" has, in the "Cultural Revolution" after the end of the new period of literature, everything can be known as the "new" trend of the literature, have been a thing of the past, the only gap on the climb is just not completely a thing of the past the "root-seeking literature." Li, though not a conscious awareness of "roots" writers, but his sense of creation of life-oriented and consistently adhere to the position of the local culture, but with the literature "roots" of the cultural orientation of the wave of a number of common .Thinking in the persistent cultural and historical relationship with the author of the suffering here, it is more fiction from Li Rui's "public" position angle of the ideological content of Li Rui novels, tend to ignore his own knowledge profound self-examination. There are new historical point of view or the perspective of human compassion to interpret Li Rui, but still very few people from the perspective of knowledge to analyze the Li Rui of the Enlightenment and the Enlightenment of the two-way reflection. In view of this, in my thesis, I will work on the intellectuals from the portrait of Li Rui and reflection in to the Li of "cultural enlightenment" thinking and questioning.From the Opium War to the 54 campaign, several generations of Chinese intellectuals in the advocacy efforts of national salvation, through the Westernization Movement, the Reform Movement, Revolution, such as changes in the objectives of the reform of China from the artifacts, institutions, none along the way the system failed, the final target will be the reform of traditional culture, the resulting new culture movement, ideology and culture of the Enlightenment from the beginning the big screen.By Lu Xun, Hu Shi and Chen and other man-made on behalf of the first generation of modern intellectuals, in the face of salvation and enlightenment of the dual task, consciously invited from the West, "Mr. democracy, "Mr. Science" in two of Mr. under the guidance of China's traditional culture began a more thorough criticism, have begun to ancient Greece to Western ideology and culture since the large-scale input, no doubt, then, the Chinese took to the road of modernization of the last gate was opened. It is the ancient Chinese began the real Nirvana. This is the first generation of modern intellectuals in the mainstream of the unique value of the Enlightenment.However, almost from the first day of the Enlightenment, as the first generation of modern intellectuals who faced the Enlightenment of "localization" to accept the challenge, many armed with modern ideas of knowledge in the Enlightenment, "the public" when faced with not to be the understanding and acceptance of the plight of feeding them and the traditional concept of a large public has always been among the very divide. At that time, a unique and dangerous environments, they will be more traditional strong, will not accept the public as "ignorant" and did not and could not from the Chinese traditional culture and comparison of their own to grasp the similarities and differences between Chinese and Western cultures and different value orientation. This thinking in Lu Xun's novels have the most profound performance. Although there Xueheng School of funding between the West and China for use at all, but the environment as a result of the limitations of the times, still can not make constructive comments.Looking back on history and truth, as reality, sometimes, even the intellectuals, is also facing its own "modern" and "traditional" way of suffering, to date, some of the basic concepts of modern can not take root in China bear fruit. This must be a cause of deep thinking.Li is in his early masterpiece "thick soil" draw attention to China, today, people are still mainly from the work of civil society in the tradition of the "mass" cultural perspective to look at these short series, not knowing, in the thick soil has been the beginning of his knowledge of the author's thinking about the question of the Enlightenment. Thus, in his "thick soil" often a large number of short flashes the image of various types of knowledge. Such as a "grave" of the female youth, "Wo hoe" in the daily reading of the students she is responsible for this in the special circumstances of the Cultural Revolution of knowledge. Subsequently, the role of knowledge in his novels the frequency increased. For example, in his novel, "site" of the revolution of knowledge Li, "cloudless" in Zhang Yin, Li Jingsheng, "the story of Silver City" in Liulanting, Long-yun Ouyang, while "No wind, the tree" root of suffering abuse is also a sense of knowledge, the knowledge works in the above works have become a major figure in efforts to shape.From the narrative point of view, without exception, in dealing with the image of knowledge, the authors regarded them around in a civil or contrast with the position of attention. This to show the author of knowledge "in the Enlightenment" and the general public "acceptance" or "be enlightened" thinking.In Li Rui, the general relationship and knowledge are often funny, they also can not understand who is who, in modern society and traditional civil society is misplaced. This is his return to his writing the idea of human nature desolate emotional core. This is the only difference, however, and no longer Li Rui Li Rui, Li Rui difference lies in the fact that the face of this divide and do not understand, Li Rui certainly not a simple one, to criticize the other party. His attitude or feel that position is often blurred. In his works, knowledge is often representative of the history of rational side, and in general are more difficult to live in reflects the lives of more awareness. When there is a conflict between the two, when he was conscious from the life perspective of the relationship between the Enlightenment, one will naturally be drawn is different from "54" enlightenment movement when the views of the intellectuals of that generation. In writing these relations, Li Rui further knowledge led to the relationship with the Enlightenment; knowledge of the relationship between politics and reality; the relationship between politics and the Enlightenment; knowledge and public relations;In my opinion, the social structure should be a sub-level of large-scale systems, objects, system, system of this large-scale systems are an integral, part of the reforms are not indispensable, in traditional Chinese society, the stability of the kind of extraordinary structure, in order to completely change the existing social, natural is a systems engineering, has been movement from 54 the previous different goals at different levels of change are essential for change in traditional societies throughout the steps, not one or the other. Therefore, a long period of time for the foundation of cultural determinism, the dominant way of the Enlightenment is a biased point of view. In the last twenty years of 20 century, on behalf of the twentieth century with a new circle of the Enlightenment and post-Enlightenment debates counterparts, Li Rui persistent thought, in his literary works of the Enlightenment was the recognition and expression of thought-provoking.