National Reflection In The Period Of Transition

From the late 1970 s to the end of the 1990 s,it was the main stage of the purchase of Mamatmin·Hoshur's literary creation,which was just in the period of rapid social development and transformation in China.This thesis takes the type of characters in the novels of Mamatmin·Hoshur in this period as the research object,combined with the narrative theme of “national reflection”,and comprehensively applies multi-disciplinary research methods such as literature,sociology and ethnology,through in-depth analysis.The type of characters in the novels reveals the cultural implication behind the types of characters in the novels of Mamatmin·Hoshur.This paper is divided into six parts.The introduction part firstly states the reasons for the selection of the thesis and the author's introduction.Secondly,it takes into account the two dimensions of data statistics and research results,and analyzes the research results related to Mamatmin·Hoshur himself and his works.Finally,the paper is introduced on research ideas and methods,characteristics and innovations.The first chapter mainly analyzes the origin of the shape of the characters in the novels of Mamatmin·Hoshur.Starting from the experience of life,Uyghur culture and literary tradition,this chapter answers the question “Where does the type of character image from Mamatmin·Hoshur's novel come from?”This chapter begins with the “missing childhood years”,“the life course of the ups and downs” and “swimming in the Wenshan Book Sea” to explain the indissoluble bond between Mamatmin·Hoshur and literature;secondly,from the “Charming uyghur folk culture” and “The unique Ili Regional Culture” Explain that Mamatmin·Hoshur is a field writer with national characteristics;finally,“completing the transformation of creation under the influence of literary thoughts” and “The inheritance of Lu Xun and Wang Meng's writing style” draws on two dimensions to explore the creative vision and style of Mamatmin·Hoshur.The second chapter mainly discusses the types of realist characters in the novels of Mamatmin·Hoshur.This chapter takes the image of “poet” and the image of the peasant as the research object,and answers “What are the typical types of realist characters created by Mamatmin·Hoshur?” This chapter firstly examines the image representation of Uyghur intellectuals in the transition period by analyzing the image type of “poet”.Secondly,from the image of young and old coexisting young males,“the image of middle-aged men who are deeply influenced by small farmers' consciousness” Starting from the typical image of farmers in four aspects,such as the image of young women and the image of middle-aged and old women who are dependent on men and superstitious,they explore the overall image representation of Uyghur farmers during the transition period.Through the analysis of the image of the “poet” and the image of the peasant,the traditional mental dysfunction of the Uyghur nation during the transition period and the influencing factors hindering the transformation are examined.The third chapter mainly discusses the types of modernist characters in the novels of Mamatmin·Hoshur.This chapter starts from the image of ill-like characters such as “fool”,the image of a dreamer,the image of an animal and the image of a prophet,and answers “What are the typical types of modernist characters created by Mamatmin·Hoshur”.This chapter first reveals the distortion of the world's spirit through the sinister characters such as “fool”,and secondly reveals the demise of the morality of the world through the absurd and realistic dreamer image,and once again demonstrates the transformation through the animal image of “the animal face”.The alienation of human nature in the world,and finally through the image of the prophet of divination and good fortune to enlighten the necessity and possibility of social healing in the world.With these abnormal figures,the purchase of Mamatmin·Hoshur has more diverse representations of the humanity fission experienced by the Uyghur people during the transition period.The fourth chapter mainly discusses the cultural implication of the character image type of Mamatmin·Hoshur's novels.This chapter is based on a comprehensive analysis of typical figures of realism and typical figures of modernism.From the two dimensions of “ethnic mental ailments and enlightenment dilemmas” and “discovery of morbid life and human healing”,this chapter answers “What kind of reflection did Mamatmin·Hoshur have on the Uyghur people in transition?” This chapter reveals the modernization process through four parts: “The Spiritual Inquiry of Intellectuals in Transitional Period”,“Enlightenment Exploration of Farmers in Transition Period”,“Medical Observation of Materialized Illness Life” and “Psychotherapy of Materialized Pathological Life”.The Uyghur national self-consideration and reflection,including the whiplash of the traditional Chinese dysentery,the disclosure and treatment of the world's spiritual degeneration,and the observation and reflection of the national outlook.The conclusion part is mainly discussed from three aspects.First of all,it expounds the important position of minority literature and the significance of studying the value of minority literature.Secondly,based on the cultural background of minority literature and the research theme of “national reflection in transition period”,this paper summarizes the paper to Mamatmin·Hoshur.The multi-value of the research on the character type of novels,including the national spiritual dilemma reflected by the characters of the novels,the reflection of the national,social and human nature of the purchase and purchase of Mamatmin·Hoshur,the unique charm of the minority writers;Finally,taking the study of the character type of Mamatmin·Hoshur as the starting point,revealing the realistic enlightenment and future prospects of this research direction.