The Culture Explanation Of The Poetic Theory Of Li Mengyang And He Jingming Who Are The Typical Of The "Former Qizi"

Previous history of literature can be said to a certain extent, is a splendid ancient Chineseliterary history, it led to a kind of negative consequences is to enable those who are not alone in theliterary history of the light hidden literary activities and the poor. Ming Dynasty "Former QiZi" ofreviving the old poem movement is this kind "discusses the hero by the success or failure" thehistory of literature writing pattern sacrificial victim. " This article thought that the reason thatreviving the old customes appeared frequently in the history of China literature theory, is not muchado about nothing which receives no reward for efforts, its solid concern relation to the ancient to theliterature unique experience, namely has one kind "defends traditional moral principles", "asksreally" meaning in inside. The reason why select the Ming Dynasty's " Former QiZi "as subject isbecause this section of the research has always been unclear, mixed. Moreover this section andhereafter each school has the complex relations, if does not clarify the reviving the old poetics theoryof "Former QiZi", the other factions also probably difficult to understand thoroughly. This article isprecisely wants take this as a breach, discusses thoroughly revives the old poetics' interior complexpsychic mechanism, thus builds a good foundation for the later further study. Moreover time whichis in vogue immediately in the setting at Deconstruction, if we can take seriously the old sense of theancients, we will find the complexity of the spirit phenomenon, take ancient as a mirror, according towill have us the poetics theory to lack the success and failure superiorly immediately, with the aim ofgiving us present's poetics theory some inspiration function. This article tries hard avoids that kindbefore in the concrete research's process to paste label's method, namely thought that the positiontransforms is "the progress", advocated that restores the old is "backwardness". But to takeLiterature, History and Philosophy of the exchange of "cultural studies" perspective, outlines reallyas far as possible restores the old historical context before the movement of the "Former QiZi",and then carefully appreciate their true purport of the revive movement, describes its ins and outsofthe story.This article is composed of four chapters: The first chapter is the analysis of the. historical context which the movement emerges. Divides three, section I was speaking before the rise of them, the historical context -"scholars in the whole world all uses for the King".The simple introduction before "Former QiZi" restore the old movement emerges as a result of the political order and the Confucian orthodoxy interference arbitrarily, causes "the poem " has lost the proper way, this intently manifests at the beginning of Ming dynasty "Tai ge ti" and "Xing qi shi" on being in vogue.But one of the main contributions of the "Former QiZi" restores the old poetic movement is to subverse this abnormal poem points. Section II stresses the rise of their historic opportunity. This mainly refers to the reasons that restores the old movement become a splendid sight in Hongzhi Dynasty, is because the loose political context and Hongzhi emperor makes determined efforts to promote the Dynasty, to some extent, it can be said the result of " Emperor encourage poetry writing to consolidate the rule". Was Hongzhi emperor makes determined efforts glows the Confucianist gentleman person to undertake positively consummates the person and consummation society's salvation consciousness, the reviving the old customes of the "Former QiZi" to certain extent is the product of the expansion of the gentleman's salvation consciousness. The third section is academic foundation of their rise."Can not be restored ancient poetry will not be able to restore the ancient truth". Mainly says the restores the old movement of the "Former QiZi" is not "art for art", but is they want to borrow the literature to involve the real life. In here prose is only one kind of involvement strategy, its ultimate idea is to reform the social ills, re-engineer the Ming Dynasty.The second chapter discusses them from the horizontal aspect to restore the old specifically poetics each aspect. The first section is "the sentiment is not real, cannot be moving" ,namely the object moves the human emotion. which mainly speaks their return the poetry essence of "feeling objects and reecites the poetry". The second section mainly speaks their pointview of metaphor, namely "speech not text, the Influence will not far",mainly speak their value to verse form. The third section mainly speaks functional concept of "understands the public sentiment through the reading poetry",mainly speaks the ultimate idea of their stress poetry is it may observe rise and fall of the custom. The fourth section is Li Mengyang's sigh of "the real poem is in the folk", mainly speaks their resonsideration to the poetry creation practice and their impact on the late poetics schools.The third chapter analyzes them from the vertical aspect to restore the old three stages which the poetics unceasing evolution experiences. This chapter of reality is to the previous chapter of supplement, is comes looking from the lasted angle to see they restore the old the poetics gradually evolution difficult course, can also disclose the huge space which the movement possibly releases.The fourth chapter analyzes their defeat's historical reasons. Mainly includes devastation of the political, mainly speaks the direct attackof the political persecution to restore the old movement. The second part mainly speaks the temptation of Wang Yangming "heart study",mainly speak how the gentleman transformed their manner before the changed time from and this may cause negative influence on literature. The third mainly speaks the negative influence of the "Baguwen" examination, mainly says, when "Baguwen" Examination becomes the gentleman person's status approval, it has complex relationship with the prose. Overall first two is dominant, third is recessive, they facilitated together "first seven" have restored the old the poetics "it was popular also fast", "it to fade also suddenly" the historical destiny. Overall, the first two is dominant, the third is hidden, and they jointly contributed to the "Former QiZi"" historical destiny, namely it "emerges very fast", "its deterioration is also very fast".