Jian'an Qizi are important writers of Jian'an period. Together with Three Cao and other writers, they created a thriving literary situation. We believe that the literary status of Jian'an Qizi was mainly reflected in the role they played during the process of literature self-consciousness of Jian'an period. They promoted the literature style (especially poetry) from the "Han Yin" to "Wei Xiang". Their transitional role was mainly manifested in the form of poetry as a language arts separated from the music and writers paid more attention to the art skills of literature. Through the transition from music literature to language literature, poetry embarked on the road of self-consciousness. The thesis is divided into three chapters as follows:In chapter one, latest research on Jian'an Qizi are reviewed. The study on Jian'an Qizi is not enough for a long time, but it has significant progress over the past two decades, mainly reflected in the Collection Works, papers and works on Jian'an Qizi. At the end of the chapter, some lacks of research are pointed out.In chapter two, there is a brief introduction on Jian'an Qizi's birth and death date, thinking and living environment of the times. It will help us better interpret their works. This chapter summarizes the background of Jian'an Qizi and Ruan Yu; Ying Yang's"Wen Zhi Lun"are analyzed and compared. Although the birth and death date of Jian'an Qizi is not the theme, but it is necessary to review it. Except Kong Rong, Xu Gan, Wang Can, it is difficult for us to know the birth date of left four persons. Based on the previous studies, the article tries to arrive at conclusions more or less.In chapter three, there is a discussion on the relationship between Jian'an Qizi and the literature self-consciousness. Scholars have different views about the origin time of literature self-consciousness. Based on the views of Mr Sun Mingjun, we believe that it origins from the Jian'an period and we list three more points for further proof. Jian'an Qizi's works have both "Han Yin" style and "Wei Xiang"style. Their literary status is just manifested in the transitional role. On"Han Yin", they learned a lot from Han Yue Fu and poetries written by writers at the end of Han dynasty. On"Wei Xiang", they pushed the development of "Wei Xiang" and it was mainly shown on three aspects, namely the newly created title of poetry, extension on the theme of Ci Fu, display of personal feelings, and art skills of works. |