Sings The Role Emotion By The Opera To Transform

In the present stage opera sings in the artistic research, many scholars pay great attention to the sound research and sing the skill grasping. But how to through as well as deducts character's macro analysis, the assurance to the entire work content, then enables own singer with the performance accurate, complete, the arriving, the reasonable research quite to be actually deficient. Therefore this research subject tries from the work character to analyze embarks, the union musicology, the performance study, the literature, the psychology, esthetics, the philosophy and so on sing this performing arts to the opera, proposed that own method and the mentality, namely through to the entire opera work's analysis, including the character disposition and music analysis, in the event developing process's change, character's emotion transformation, carry on sing the design. Thus knows some inherent laws which the opera sings, provides some more convenient way and the method for the vocal music learner and the performer.The full text is composed of four chapters. Introduction part, including selected topic significance, research present situation, research technique and so on. Is mainly to collects the material one kind of summary and to studies the present situation, the research feasibility as well as the necessary one kind of analysis. First chapter and the second chapter mainly "Grieves for the dead" take the concrete opera as an example, carries on the analysis from the literature angle and music characteristic aspect to it. The third chapter is mainly unifies author's to master Zi jun several main arias to carry on artistic practice experience sings the analysis. The fourth chapter summarizes through analyzes the character emotion transformation manner aria to carry on sings the design the importance. Finally is the conclusion, the elaboration research achievement and in this domain significance.