Research Of The Image Aesthetic Feature Of Traditional Chinese Opera Facial Design

Bright colors,flamboyant and varied beautiful patterns,exquisite and rich means of expressions,all these demontrate a beauty with a decorative character.As well as an agreed account of the audience and the actors,facial patterns is also a consensus of emotions and aesthetic experience,which has concentrated many tastes of life.Behind those planar images,there exists historical and cultural connotations,with which can always give you a feeling of profound implications and beauty.As far as this being concerned,we defined facial patterns a kind of Image.In the course of research,I quoted relevant Chinese classical literature and art theories as arguments,and also learned from some theories of Western psychology,semiotics, communication etc..The purpose of my combining Chinese of Western theories is to integrate the advantages of these two different ways of thinking -the macro-overall point of view of Chinese and the Micro-logic methods of Western type.On the one hand,I learned from the Western logical methods,gradually worked my way of demonstrating my opinions;on the other hand,complying with the concept of viewing the situation as a whole,I didn't treated facial patterns as an isolated object,but take it as one part of the overall which composed by opera and the whole of Chinese culture.In the context of Chinese national culture,I analysed the image aesthetic feature of facial patterns.