| Since 1930s, the composition mode of Shanxi Zhonglu clapper opera has been experienced a holistic conversion that from performer to full-time composer. The composition of performer embodies the way and technique of creation of Chinese folk music and traditional Chinese opera music. It has been established in Bangqiang-Form musical structure that the reform of the music for voice of Shanxi Zhonglu clapper opera is consummated. And all of these achievements are based on the composition of performer and the promotion of excellent artists. In addition, some performers also grounded another changes on reform and consummation. These changes are emphasized on the diversification and development of the styles of the music for voice of Shanxi Zhonglu clapper opera. Along with the implement of the Chinese opera reform policy from 1950s and the change of creating concept, the mechanism has transformed. Full-time composer became one of the designers of the music for voice of Shanxi Zhonglu clapper opera. Consequently, the period of full-time composer was coming (this paper denominates it the composition of full-time composer briefly).During the process of creating by the full-time composers, they not only established in Bangqiang-Form musical structure to compose, but also put more attention on the musical elements of non-Bangqiang-Form musical structure and the ideas or methods of west classical music composition. Hence, the music for voice of Shanxi Zhonglu clapper opera presented many more new artistic characters including the types of melody, the emotional-progression structure and the musical composition of the arias. This paper mainly analyzes the example of changes and develops of the music for voice of Shanxi Zhonglu clapper opera which influenced by composition of performer and full-time composer since 1930s. And then it discusses the characters of two kinds of mode of composition. Finally, it summarizes the inevitability of the vicissitude. |
PDF Full Text Request