Sculpture Language At Even The Use Of Animation And Research

When the sculpture in the animation in this field, a static sculpture activity up to show their incredible charisma alternative. are two areas of sculpture and animation produced by a combination of animation types. Sculpture of three-dimensional space because of the characteristics and the characteristics of rich materials to give the dual characteristics of animation art and aesthetic style, highlighted the two-dimensional animation with different aesthetic temperament. Dual animation as animated films in a special species, and its humor a vivid three-dimensional shape, light and space, a wealth of material performance has been a constant search for animation people, but because of the complexity of its production flow, cycle length, higher demands on the quality of personnel factors Occasional small animation production. But with the rapid development of computer technology and extensive application of the field of animation, as well as the sculpture industry innovation and improvement of all kinds of new technologies, new materials for even better animation provides a better development platform. Thus in recent years even begin to wake up animation, and its unique artistic features quickly attract the audience's eye.Chinese dual animation from 1953's "Little Hero" has been 50 years, during which the experience of the 20th century from the late 50's to 70's, 80 of both the development of mid-climax. Always adhere to our country's animation based on the national culture, not only let the rich folk art form of animation shown at the vigor, as well as animation on a branded "Made in China" imprint. However, from the 20th century 90's so far, with a wide range of international commercial and cultural exchanges and speedy, even Chinese animation has fallen into a difficult impasse: the United States, Japanese animation has been welcomed by teenagers, and their intrusive impact on our country culture At the next generation of transmission. Country inIn this paper, by analyzing the dual animation sculptures and artistic features of the language, to explore even animation, time, the relationship between the audience and reveals the shape of its animation and cultural connotation of the root causes of today's animation modeling methods provide some design ideas.