Discuss Jiang Caiping To China Modern Heavy-colored Painting's Inherits With Developing Effect

Chinese painting is called"the painting"from ancients. As its name suggests, ancient Chinese painting is relying on color . Judging from the history of Chinese painting, the peak of heavy-colored painting is in Tang Dynasty and declined in Song Dynasty, until it developed rapidly after the eighties of last century, especially for the unprecedented Speed, scale and the level it reaches. In this process, Mr. Jiang Caiping to the large number of artists do many beneficial explores and attempts for the improvement of heavy-colored painting. In particular Mr. Jiang Caiping insist on participating in efforts, to pursuing a proactive effort and promoting made tremendous contributions to the heavy-colored painting.She funded Jiang Caiping Studio of heavy-colored painting in 1998 and establish its own unique system of teaching Chinese heavy-colored painting. Her heavy-colored painting works are also formed its own unique style.This study will analyze the characteristics of and changes in the process of modern heavy-colored painting's transition from a traditional to modern, by Interpreting Jiang Caiping'inheritance and development of traditional, the teaching philosophy and idea research of the Chinese heavy-colored painting advanced training courses of the Chinese heavy-colored painting charged by Jiang Caiping, and her works.The research of Jiang caiping is just some Summary of comments in academia,but not explore it in the Inheritance and the development of Chinese heavy-colored painting. The research of this study based on the current status of academic research and do some In-depth and meticulous research of Jiang Caiping'contribution of the the process of stick to the tradition in the same time, then refracting the Development trends of modern heavy-colored painting.From a structural point of view, this article includes four parts. Part 1: Jiang Caiping's research of tradition and stick to the tradition. In this part I simply introduced why Jiang Caiping choose heavy-colored painting, on this basis I focuses on the Contribution of contribution to the development of Chinese heavy-colored painting .Then we'll come to the focus of the study Part 2: Teaching philosophy of Jiang Caiping Studio of heavy-colored painting. This part is carried on by the teaching principles of Jiang Caiping Studio of heavy-colored painting and it's Indispensable curriculum. I will do some Description of Jiang Caiping'heavy-colored painting works in Part 3, and further push to Part 4:Jiang Caiping's Inspiration of Chinese heavy-colored painting. The study focused on this four parts. I think, this have more practical significance to modern heavy-colored painting.Chinese heavy-colored painting in the 21st century is still in the process of transiting from traditional to modern. How to combine Chinese traditional painting with the outstanding things to the creation of modern heavy-colored painting. How to look at the heavy-colored painting's possibility of improving and spaces in modern times. etc. Maybe we can find some Inspiration from Jiang Caiping .These features are expected to have implications for the future creation and promote new renovation, and this is my original intention to write this study。...