Documentary Documentary Aesthetic Vision Of The New Developments In Music

In this paper, documentary-type television program, especially in the television documentary, the use of voice-over music for the study, a comprehensive and systematic analysis of fiction as a sound system and elements of music, imaging system in the television documentary of the nature and mission, history and trends. Due to the influence of traditional documentary, music in the documentary of the application of relatively small, were once some of the "eco-record the original allocation," the creators of the art of special means of suppression. But with the new record in the growing maturity of the film and the concept of mainstream music in the subjective and emotional expression, as well as to strengthen the construction of narrative, such as the role of the real by the documentary's re-recognition and attention, today's the kind of one-sided pursuit of true and reject the practice of art to deal with the majority of workers have been denied by the television documentary. This study also found that the domestic record TV programs in the development process of the next century, the television voice toward "narrative of the civilian population", "the story of documentary" and "entertainment style" changes, and changes in the application of music has become such a TV voice of an important component of change.From a broader sense, this paper is a theoretical exploration, that is, from one side of a documentary in China to build new theory. The author, drawing on Professor Yang Shanghong mentor "the new documentary" in the ideological basis of the theory that music documentaries to promote new developments in theory must also solve the "music" and the "true image" the tension between, that is, In the new documentary and creative ideas and contradictions in practice this tension into an art form in order to achieve market-oriented China-made documentary, the world, and in the 21st century, the second leap.