Exploration Of Version Of Red Classic From Art Perspective

The term"red classic", emerging in the late middle 1990s, is popular at the beginning of this century. At present,"red classic"is so much mentioned in various occasions that it self-evidently become a symbol of a kind of art works which bear the same characteristics with similar creating period, narrative features, value and functions. Since this century, some revolution historic novels and films , having once creating a stir in a nation wide, whose theme is mainly concerned to the war lasting 17 years, ,are successively adapted into serials maintaining its original name, which brings the strong tide of"red classic"hot in art and literature market. The adaption of"red classic"and its broadcast and comments in the field of Chinese serial gradually turn out a unique cultural perspective. Aiming at comparing the"red classic"version of different period from a longitudinal perspective and analyzing separately and individually, the conclusion will be draw about aesthetic features of different art versions of various periods.The article is divided into three parts: preface, body and conclusion.The"red classic"is defined and introduced in the preface part, followed by its achievement on adaption research and exploration from different fields.There are three parts in body part. To begin with, social and cultural background of"seventeen year"red classic novel is analyzed, in which newly government of People's Republic of China is built and it is this government that demands that art and literature service for politics. At length ,the conclusion about the unique characteristics of aesthetic of"seventeen years"red classic novel is made concluding revolutionary idea pattern , dual and opposite emotion and combined frame of grand narration and epic. Then on the ground of"seventeen years"social reality and its spread, the reasons why"seventeen year"red classic film can be formed are explored, followed by the aesthetic characteristics of"seventeen years"red classic film version that are setting up a image of revolutionary hero, love submission to revolution, language of film tending to politics, with a lofty and grand aesthetic style. Last but not least important part includes some aspects. Since 1990s, changes from the spirit of times ,cultural context and aesthetic taste and infiltration of logic from public consumption makes adaption of red classic a dynamic element in cultural market of this century , whose aesthetic features are in accordance to that of present society. These characteristics lie in the combination of revolutionary narration in a world and business sense and re-illustration of classic revolution by media of TV. However there are still much room for improvement for the adaption of red classic, such as distortion caused by consumerism to historic and collective reflection, formation of figure with general-humanity sense and false explanation of lofty and grand aesthetic style.The achievements in the adaption of red classic are approved in the conclusion part of this article at the same time some suggestions for improvement and perfection are given.