Study On Zhou Libo Novels' Revolutionary Posture And Folk Orientation

As a literary soldier, Zhou Libo started from the 20th century 30's to write the literature commentary, to afterwards created the well-known novel "Storm" "Mountain country Great change", the number ten years like a day practicing the Mao Zedong literary arts thought. He took a literary soldier's posture and had made the remarkable contribution for the revolutionary literature enterprise. "Speech" had created Significant influences to Zhou Libo, his creating "Storm" "Mountain country Great change" is the successful practice of the "Speech" spiritual. He walked in the revolutionary troop's ranks, was inpelling the revolutionary request and the time breath, on own initiative carried on the creation by a revolutionary's posture. the revolution has become the beginning of his these two novels. "Storm" and "Mountain country Great change" by the always commentary crown by"the red classics", is precisely due to direct writing about revolutionary. Indeed, "Storm" and "Mountain country Great change" write all the revolutionary movement ("Storm" writes the New Democratic Revolution time land reform movement, "Mountain country Great change" writes socialist revolution time cooperativization movement), thus Zhou Libo uses the countryside revolution and the class struggle frequently in the novel completes to the political mainstream response. In his novel, revolutionizes the words and the revolutionary violence back and forth should mainstream politics, is his aware matter.Has utilitarian as overtop structure politics, the revolutionary and revolutionizes itself all is for certain political objective.But the literature is one kind of artistic form, it has the esthetic joyful effect, literature esthetic is the non-utility.If Zhou Libo "Storm" and "Mountain country Great change" stops merely in to revolutionary direct writing, that can let the reader without doubt think monotonously tasteless.Not only but in fact, Zhou Libo these two novels broke through"monotonously", moreover has achieved"interesting".Investigates its reason, is source Yu Zhouli the wave"the folk complex", he has placed the novel esthetic ownership and the foothold the folk this colorful life center.Zhou Libo"the folk complex"both contains infinite is remembering fondly and shows loving concern had been being born in Si, excels in Si's native land character, the human sentiment and the custom, and includes northeast's entire Chinese countryside vicissitude and the transformation, simultaneously infinite will be looking forward to their glorious future.It can be said that, is precisely his this kind"the folk complex"urges his novel "Storm" and "Mountain country Great change" during insistence revolution posture, pursues in the text unceasingly"the folk"this spatial esthetic characteristic. In the specific text, revolutionary and folk this both are lives in peace with each other, conflicts, respective contention existing space mutually? Certainly, they already fuse also collide.Regarding this, the author take the text as the basis, has made in one's power analysis.In brief, the text took one kind of objective existence, is needs to accept the historical examination.Zhou Libo novel "Storm" and "Mountain country Great change" since birth, fade-out commentary field of vision, even also holds the small space in the history of literature, this no doubt with his reflection great society politics revolution subject related, but similarly also cannot leave the esthetic characteristic which in his text"the folk space"has.