On The Feminine Tendency In Zhou Libo's Novels

Gender psychology plays an important role in writers' creation.The feminization of Zhou Libo's novels' artistic style has a close link to the feminized creation psychology on which the text is based to explain the feminized artistic representation reflected from Zhou's novels and to discuss the deep understanding: objective substance of intersubjectivity behind this artistic representation,as well as to explore the particular role of Zhou's novels in the evolution of Modern and Contemporary Chinese Literature by contacting the feminized artistic representation to the certain background of the same kind of novels.The thesis falls into three parts.Introduction as the first part,gives a presentation of the research status of Zhou's novels,proposes the academic background and significance,and further presents a preliminary definition of the feminization and intersubjectivity of his novels.The second part: main body,is comprised of three chapters.Chapter one clarifies the feminized creation psychology and goes over the feminization of Zhou's novels' artistic representation systematically from narration,emotion and characters.However,the special meaning of the feminization of Zhou's novels is the communication between males and females,which is namely the principle of inter subjectivity.Therefore,chapter two goes over the two aspects of body and love.On the one hand,it shows the respect and reconstruction of female entity.On the other hand,it's impossible for Zhou Libo,a male writer,to give up male entity completely,resulting in the unbalance of inter subjectivity.Chapter three studies the feminization of Zhou Libo's novels historically,pointing out that the femininity of Zhou Libo's novels directs at a modern cognitive “device”.From“melancholy” to “femininity”,Zhou Libo surpasses the male modern aesthetic entity built up by Yu Dafu;from “dreamworld” to “scene”,Zhou's femininity distinguishes itself from that of Shen Congwen's.Moreover,it is noteworthy that femininity is itself a state of combination,which means that Sun Li's feminity is dominated by traditional aesthetic values while Zhou Libo's feminity reflects its own transmutation in a modern sense.The third part: conclusion,in a broader vision,gives an overall evaluation on the feminization tendency of Zhou Libo's novels,and points out the efforts that the author tries to build up an co-existent relationship between male entity and female entity.There is a relationship of mutual digestion and inter availabilitybetween “feminization” and the mainstream of political voice.At last,some preliminary opinions on the further study of this topic have been put forward.