On Aesthetic Conscious Of Life In The Youth Film Of China, Japan And America

Youth film nearly a decade breaks the image bondage in former days which is full of decadent, sentimental and gloomy, and changes the writing of youth history with violence and instrumentality into the positive meaning of the aesthetic of life. The thesis studies the youth film in China, Japan and America nearly a decade, and concerns chiefly with the writing situation of the aesthetic consciousness of life. According to the different representation of the aesthetic, the thesis explains the aesthetic implication of life which saturated in the films. And on the basis of the explaining, we probe into the construction of the aesthetic of life in the films.The aesthetic consciousness of life in youth films in China, Japan and America nearly a decade, which presented by various of images and reflected in the subject of the film. The carnival theme of life is the main performance of American youth film. Through the images of dance, music and the party, lively youth is showed filled of aesthetic vitality which follows the peace of the times. Meanwhile another image of aesthetic of life is expressed by the youth film in Chinese and Japan, which embodies the meaning with oriental and implicit aesthetic. In perspective of the aesthetic imago, the thesis further analyses the aesthetic implication of life which saturated in the films, including the pursuit on value belonging by the individual in American youth film, and discussion on ambivalence of the youth in Chinese and Japan youth film. Finally, the thesis turns into the researching about how to realize the aesthetic of life as well as poetic flavor, while reflecting the history writing on life conscious of the youth film, thus summarizes logically the aesthetic style about youth theme which corresponds to Globalization currently.Reaching for the aesthetic consciousness of life in youth films in China, Japan and America nearly a decade intently and deeply, the thesis displays the occurrence and the development about the theme of youth life in the films from one aspect, and reveals the process on the writing of youth whose history is deep into the aesthetic of life from marginalization and utilitarianism. Meanwhile through the thinking on aesthetic implication of life of the youth, the thesis reflects the harmonious construction of"self"and"others", as well as the value care for the essence of being of youth life implied in the films. It provides an important inspiration on pondering over the life value, for remolding positive and healthy youth awareness and deepening the life theme of the youth in the creation of the youth film.