Reatise On Aesthetic Features And Cultural Connotations Of Jia Zhangke's Film

As a cenozoic era film director, Jia zhangke's works has more and more influence and his position is increasingly important in the cenozoic era film directors. Across his dazzling aura, it's the researchers' task to make in-depth and rigorous studies for director himself and his works. In the context of globalization, postmodern and multicultural at present, it will have the extremely vital significance to take in-depth analysis of aesthetic and cultural for Jia zhangke's film works. His film works has unique aesthetic characteristics and profound cultural connotation. These aesthetic features performance in the aspects of life-flow, fragmentation and people's aesthetic, etc. For the aspect of cultural connotation, the angles such as bottom -writing and folk standpoint,youth image and specimen-consciousness,urban image and drift-complex,entanglements of modern discourse and post-modern discourse will be discussed. The research about life-experiences,cultural background,personality tendency and artistic pursuit of Jia Zhangke is favorable for grasping the aesthetic features and culture significance of his movies on the whole. The comparison between Jia Zhangke and other cenozoic era directors can further understand him and his works.The author-film is to say that it has thick ideological tendency of author -theory .The directors often writes script by themselves , their works tend to have strong personalized color and pursue the unique theme and autonomy about writing style. Jia Zhangke's film has a strong tendency of the author -theory. His film image style in general has a kind of gray exotic and depressed emotional color with an optional,lax and alienation. So-called literature-consciousness is an idea of reappearance of things objectively, natural description and record. It advocates adopting objective perspective, no human intervention for real life. Jia's documentary aesthetic is influnced deeply by Bazaine's long-lens theory,Italian new realism films and France's new wave films. Accompanying this documentary aesthetics is the life flow and fragmentation phenomenon of Jia's film. Another important aesthetic characteristics of Jia Zhangke's film is people's aesthetic. This aesthetic orientation pays attention to the social reality of the bottom and the individual experience, presenting as a grassroots prospect. In the context of multiculture, Jia's film has rich culture contains and meaning appeal. Director adhers to the folk position to implement the cultural theme of the bottom-writing.This kind of cultural theme represents as Jia's specimens-consciousness and drift-complex through the image. Jia's movie's city image has distinct characteristics of regional culture and its individual character is dye-in-the-wood. The cultural end-result of bottom- writing,city image and youth image is in the tanglements of modern discourse and postmodern discourse. In the ErNan choice between Box Office First and the unique aesthetic and cultural orientations and the reality of restlessness, Jia Zhangke has been holding in his own way.