On The Oil Paintings Of The Subjective Color

After the subjective color expression entered the West modern art stage, it started to emit its dazzling ray obtaining society's cognition and the sympathetic chord. This cannot leave in the long traditional art to its fumble and the accumulation. And it has varying degree manifestation in the traditional oil painting master's picture, for example Matthias Grunewald,El Greco,Rembrandt,Turner,John Constable. Subjective color is relative to the presented color in the target objective. Artists does not reproduce the true color images of natural feeling fully on the screen, but according to the work subject and the picture to re-creation the color which make it to be individual artistic language for expressing the feelings, ideas in the subject. It can make more paintings show a strong visual effect and a specific spiritual content. From the latter impressionist school, the color's subjective of the oil painting began to gradually strengthen by Cezanne,van Gogh,P.Gauguin,Matisse.In this paper, through the level of evolution in colorful painting language, oil painting color and awareness of the artist which shows portray of changes from external to heart,and Study the formation of subjectivity colorful language gene, significant characteristics and spiritual pursuit. Finally, through own practice in the creation of the subjective use of color led to a deeper level. In subjective color research, it is necessary to absorb the western concept of subjective color, simultaneously. The more important thing is how to understanding the traditional culture of nation, promoting the creation of the nation's culture and humanistic spirit. During the study, Arzhai Grottoes murals of Inner Mongolia performance the subjective color characteristics to promote Mongolian culture inherent essence of the spirit and the Humanities.