20th Century Realism Water Ink Portrait Creation And Ponder

This thesis to the twentieth century realism Chinese ink figure painting as the main research object, the main application and draws on art history, philosophy, aesthetics, sociology, psychology and many other fields of research methods, this phase of Chinese ink painting realistic figures draw the rise of the background, the development of an overview of important trends, techniques and essential characteristics of the analysis of art theory, comb. Combination of their own experience of studying figure painting ink, water-and-ink portraits of realism development and creation of the key questions for analysis and put forward their own exploratory research. From the preface of this thesis, the theory, the conclusion has three major components.On one of the three major parts: the first part of analysis of the rise of realism and ink portraits of the background, and define realistic ink portraits concept. First, from the traditional meaning of the decline of pen portraits start with demonstration of traditional Italian pen portraits of their own developmental deficiencies have to make new breakthroughs in reform and; secondly, from the artistic constraints of the society to start, analysis shows that a large cultural background change and revolution in the twentieth century Chinese society needs to promote the traditional pen portraits innovations intended to go the path of realism.The second part focuses on twentieth century Chinese ink figure painting realism of the development and evolution of the course.Draw from this section focus on species of positioning, the development of space, ink linguistic features, look for the performance of the most pertinent language and modeling methodology, as well as with the traditional meaning of the contact pen portraits start with the distinction of the kinds of creative draw key issues analysis, combined with their own learning and creative experience, made their views.Zhejiang School in Beijing School and ink portraits of realism to represent, analyze their representatives of the creative artist guiding ideology, techniques characteristics of important representative works and so on, and two representatives of this school to make comparison and analysis, and grasp the twentieth century Chinese realism Ink portraits of the picture, and tap summing up its historical significance and ink portraits of contemporary creative influence and inspiration. The third part is the realism and ink portraits of the key issues of creative thinking. Realistic portraits of ink compared with the long history of traditional Chinese painting, it is a draw young species at creation will inevitably have many questions that need to be resolved, breakthroughs and improved. In addition, water-and-ink figure painting from realism and social life of the flesh and blood contact, the argument that realism artist ink figures should attach importance to a broad depth of social life, be good at discovering and exploring the nature of social life in the United States, and enhance their own artistic accomplishments, and then create a a high degree of real works of art painting, contemporary realism ink creative portraits made on the spirit of the connotation of high demands. At the thesis writing and consider the process, I did improve the species recognize the draw for the future path of artistic creation are very necessary and valuable.