The Evolution Of Flower-bird Painting In Song And Yuan Period And The Expanding Of Art Spirit

The period of Song and Yuan is the peak of Chinese painting history, which is also a very important turning point. During this period, bird and flower painting has made great achievements in the fine brushwork and freehand ink. In bird and flower painting history, it begins with court-based bird-realistic look turned to civilian-based bird pattern freehand. In this conversion process, The overall style of the Chinese bird and flower painting accelerate to move toward a more clearly freehand, which face of their style development direction and aesthetic character have taken place in the larger changes, it outstands in literati painting aesthetic purpose increasingly, completed from the "realist" style to the "freehand" style gradually, and Yuan period has become a peak of "literati painting".In the history of the bird and flower development of China, Song period has always been regarded as the peak period of development. At that moment, the bird-style neat, meticulous and magnificent color, regardless of the technique in the painting, or in the shape and color screen grasp both fresh and elegant than the Yuan Dynasty "literati painting" a more perfect. However, the result will be quite different if analysis the spirit of art in painting. The main function of the Song bird and flower painting is to serve the ruling class, which reflects their willing. In the Yuan period, bird and flower painting gradually appear on the aesthetic characteristics of the changes is different from the Song, which because of national pressure and discrimination. Under this circumstances, the "consciousness" of literati self has become strongly, which is to pay more attention to their own performance rather than features of painting. The subjective awareness of the artist becomes the screen after the implicit to the screen before the highlighted, closer body of art, the spirit of artistic expression in painting on the widening.For this reasons, the evolution of Song Yuan bird is not decline, which is step forward and open up. Because in this changes, it reflects the spirit of the artist's self-awakening of the individual .The article used compared methods, from the Song Yuan the bird by a description of the evolution of start, further analysis two different styles of bird-face, the paper concluded that Song Yuan derived from the evolution of the bird from the main emphasis on the true objective reproduce images and meet visual pleasure, which images into a reality as the carrier to convey the feelings of the spirit of the artist. The final analysis of the Song and Yuan period, through different styles of bird and flower painting to illustrate the evolution of the bird by Song Yuan spiritual development from the art history in terms of progress.