On The Expansion Of Theme Of Chinese Flower And Bird Painting

In the vast art treasure house of the Chinese nation,there are rich and colorful painting remains.The flower-and-bird painting is the crystallization of the wisdom of our working people.It is a unique category of painting created by painters after a long period of generalization and refinement on the basis of in-depth experience of life and observation of images.In the creation and research of Chinese flower-and-bird paintings,it is necessary for us to absorb the traditional essence,but we should not stick to it.I think that the research on the subject range of traditional and modern flower-and-bird paintings is one of the important reasons for the continuous innovation of modern flower-and-bird paintings,and it is of great significance to promote the development of Chinese flower-and-bird paintings.Taking the outstanding flower-and-bird painters of past dynasties as examples,through the analysis and research of their works,this article sorts out the development of the subjects of Chinese flower-and-bird paintings.The development of art is a process of constantly bringing forth the new.In research and creation,it is far from enough to just repeat the styles of the ancients or others.Only by breaking through the established forms and rules on the basis of inheriting excellent traditions,continuously seeking the new ideas in Chinese flower-and-bird paintings with a rigorous and serious attitude,enriching our own expression methods to increase the artistic appeal of the works,can we adapt to the aesthetic needs of the times with a new look.This article adopts case comparison method and literature induction method to sort out the development of subjects of Chinese flower-and-bird paintings from different angles,and tries to expand the subject range through my graduation creation practice,hoping to make my own contribution to the development of Chinese flower-and-bird painting in the new era.