The Investigation And Research Of Present Situation Of Inheritance Of Hotan Twelve Muqam

Twelve Muqam is the main representative and body of Uyghur Muqam, which has also been widely spread in Hotan with the exception of Kashi, Aksu, Yili and other regions. Like various versions of Muqam spread in other region, Hotan Twelve Muqam is a grand classical divertimento with songs, dance and music integrated, it has a certain amount of the same or similar aspects in the music tune, the beat rhythm and the characteristics of music form. However, it remains its own characteristics in length, structure, musical instruments and so on. Due to historical and regional reasons, Twelve Muqam only spread in MangLai town,KuiYa town,TuoHula town, MoYu town of MoYu County, YiLiqi town of HeTian City, KeLiyang town of PiShan County and other places. Unfortunately, Twelve Muqam has been on the verge of extinction as a result of the death of many old folk artists in the urban and rural areas, such as Yutian County,CeLe County and LuoPu County. Based on the field investigation and document analysis and the integrated use of multi-disciplinary theories and methods, this article is the preliminary study on the survival background and inheritance channels, inheritance characteristics, inheritance reasons, music forms, as well as the inheritance situation of Hotan Twelve Muqam.In addition to the full text of the Introduction and Conclusion, the body is divided into seven parts, which reads as follows:Introduction put forward the research origin, objects, methods, perspectives and significance.The second part studies the geographic location, the ecological environment, ethnicity, religion, folklore, language and the impact of exogenous culture surrounding behind the appearance of Hetian "Muqam 12", trying to reveal the interactive relationship between Hotan Twelve Muqam and the survival background.The third part discusses the musical state of Hotan Twelve Muqam briefly in terms of the structure and style, the beat rhythm patterns, musical accompaniment, the band portfolio as well as other aspects.Part IV illustrates the transmissioner, the lineage of inheritance, and the motivation of transmissioner, value of musical aesthetics, value and status of Hotan Twelve Muqam.Part V discusses the three inheritance channels, changes in family history, family members, as well as inheritance means of Hotan Twelve Muqam with a keen insight.Part VI analysizes its five main inheritance characteristics such as the improvisation, direction, moisten as well as ariability of Hotan Twelve Muqam.Part VII reveals the inheritance reasons in terms of the source of support, cultural living space and cultural function deeply.In accordance with the reflection of cultural anthropology caused by the situation of constituent elements, Part VIII thinks that Hotan Twelve Muqam is a symbol system full of symbolization and metaphor and cultural change vivo. In addition, in accordance with its contemporary situation, the corresponding protective measures should be carried out.