Can't Escape From The Survival Paradox

This article is related to personal interests and research areas, take the existentialism philosophy as the theoretical basis,and unifies the film psychology, film esthetics, cultural studies and other interdisciplinary theory method, comes"escape"the subject to the movie to carry on the induction, research, and attempts to movie in the "escape" into the type of physics and the "escape" to grasp the meaning of combining metaphysical implication assurance to unify, which the movie of "escape" from the subject of esthetic and cultural significance of a systematic overview and summary. Of course, in this article the word "escape", not only the result of a simple sense of fleeing, more importantly, a process description of the state, embodied in the movie, it actually contains a sense of humanity to escape from the source(to escape the fate, escape from emotion, to escape from the past, to escape from the era , to escape of prisoner's cage, to escape from disaster, t leaving themselves), to seek ways of salvation, and is unable to escape the reality of(to escape does not have may escape) three aspects. In this sense, "escape" is dormant, waiting, it is self-consciousness of the rebels and the status gets rid of a tangle of desire, is the regression, is redeems. This is also precisely "escape" from the esthetic cultural significance.The full text is divided into four parts including the conclusion. The first part is mainly elaborates this research goal and the significance, and this subject in domestic and foreign research present situation and level,narrated that the reason that"escape"the subject to become the eternal theme of the film of the reason to be. As highlighted in this paper, the results of previous studies on the basis of innovation. The second part is the "escape" from the theme of the myth, the symbolic significance to carry on the backward, at the same time, the survival of the human predicament and the film thinking the role of the esthetic analysis of salvation, which points out the "escape" is the way of human self-salvation, this is also its esthetic cultural value is. The third part is the light of the specific video on the I sum up the theme of escape from the film, this is also the main part of this article. "Escape" is the eternal topic of human as well as a unique film culture in the landscape, it is a social experience for the survival of modern civilization, we set up the plight of the conversion of the metaphysical, a road to salvation. It takes the energetic carrier which the real world the opposite appears, constitutes one kind of tensity relations with the modern civilization society, also has conceived a virtualization spiritual home for the bitter experience survival difficult position's humanity,in order to achieve the self-soul. But, in the final analysis, the results are not escape. It seems to be more esthetic and cultural value, and performance can convey the real world, but can not really break from reality. The conclusion part expounded that"escape"is a clear loss to escape from a road to salvation of mankind. The humanity is unable to arrive at the true soul habitat, obtains the mind the ownership and the asylum. Displays in the movie is the heroine in some pain, depression, anger and all the way to escape, the usually end up in a normal attitude to face or into their offensive questions and the reality of the answer in the face of the established back to the mentality of self-recognition and , which has just exposed as a weak to escape from the main body and a loss, and with means of escape fate no escape is to flee the path of digestion. Forever will be escaped the contradiction which and runs away does not have may run away will be boundary of the human survival eternal puzzled, although this is non solution of a paradox, but we are very actually difficult not to be moved. "Escape" will never end, humanity's courage and will never give up the dream of faith and hope of"escape" turns into a carnival.Perhaps the movie is not life, but our life, cannot live not necessarily the movie.