Modern Chinese People To Accept The Characteristics Of Western Music

This paper attempts to modern music as a whole, the modern Chinese people as a special period of the body to accept an attempt to modern Chinese culture and the perspective of the characteristics of music, through to modern Chinese people to accept the characteristics of Western music to illustrate the study of Modern China The aesthetic concept of people . And try to find in modern times, through the analysis of the special nature of the Chinese people.Modern Chinese music to Western audiences with the Western countries to China's invasion and exchange with the birth of an expensive and growing, the development of Western music there was a clear acceptance of the characteristics of groups. The first contact with Chinese people in modern Western music is vocal music genre works, followed by instrumental music and theater music genre works, however, the Chinese people in modern times Western music genre for the acceptance and choice, not a passive process, as individuals, consciously or unconsciously, the Select an inner class in line with the needs of their own music genre, but times change based on the dual transformation and cultural change in the strong demand, with the result that ethnic groups can only choose to work mainly instrumental music of the Western genre, the final concert of music dominant completed its historic mission.Modern Chinese music to the West is still acceptable, "Chinese style" of acceptance. This "Chinese-style" of Western music in modern thinking is that the specific historical context, passive and active choice to accept the outcome of interaction is an inevitable historical development. Received from the passive, however, choose to explore the process of emergence of the Enlightenment, the modern Chinese aesthetic way music changed dramatically, but for thousands of years deep cultural heritage, aesthetic experience, music, hearing, emotional or cognitive, psychological and aesthetic so that the modern Chinese acceptance of Western music, still not from the perspective of the nation still using Chinese-style ears to listen, with Chinese-style of thinking to perception, experience and absorb. In this case, the modern Chinese music in the West to accept the selection process occurred in a two-way change, so can we come to the end of this article, "Modern Chinese" could be included in such a history of the concept of aesthetic categories.Modern Chinese acceptance of Western music is the result of choice, the people of China for the transformation of China, a means of self-reform. With the traditional Chinese philosophy, the idea of thinking of aesthetics and theory backed up by the cornerstone of the emerging bourgeoisie in the energetic efforts of the Western music can be such a rapid manner and speed, a strong alternative to traditional Chinese music occupied the modern Chinese the music world.Modern Chinese acceptance of Western music, is under a specific scenario, there is bound to its history. On the one hand, the historical heritage of national culture, national independence is one of the expressions on the other hand, is learning from the West to the inevitable changes in social and cultural choices. Although the essence of Chinese philosophy and aesthetics of thinking is still deeply rooted, but with the previous manifestations of the traditional music has been compared to a big difference, which is the biggest difference for the West to accept Chinese-style music. Fundamentally speaking, the modern Chinese music to the West is still accepted by the traditional philosophy, aesthetic ideas.