A Constant Cause Of Huaiyang "Mud Dog" Clay Model

"Mud Dog" is a play Henan Huaiyang a general civil mud for Huaiyang "Taihao Ling" is unique, also known as "Ling Dog"; its primitive form, carving rough, bright colors and bright, form along with the unique and Also strange, it can be said, "Mud Dog" art form not only carrying the remains of ancient culture and totem worship, but also record the track of the development of human culture and the arts, both as a kind of primitive folk art to expand and continue, but also research "Folklore", "Anthropology," an activity of historical data, it was precisely this unique shape makes it mysterious has a "real totem", "living fossil" in the world. The fifties of last century, Huaiyang "Mud Dog" Almost all of the quaint style painted black with the words of local artists,and its shape is a gift left behind, no one can arbitrarily change it, changed the not human ancestors Secretary's "dog" was. In "Mud Dog" related data and clear the process, I also found that although the "Mud Dog" itself as a market-oriented arts and crafts are also affected by the impact, but its styling ideas from the production (it is said Nuwa times) to now has not been any major changes; confusing is why it can shape history through the millennia it has been constant? So it also triggered my Huaiyang "Mud Dog" clay model of the constant of the initial reasons for thinking.70 years ago, Huaiyang "Mud Dog" and other folk art, like the edge is unrefined, its artistic, cultural value is known; However, with the process of reform and opening up, China Folk the arts has also been a corresponding development, people Huaiyang "Mud Dog" concerns and research are going on and improved. Especially in the 2006 inscription, the call to rescue the project in the cultural and social backgrounds, the Huaiyang "Mud Dog" only gradually in our country have a place in the folk arts, and people began to realize that culture, artistic and social value. However, the people Huaiyang "Mud Dog" understanding of understanding is still in the preliminary stage, the real depth of its very few, specialized in Huaiyang "Mud Dog" research and related writings of scholars less, all Scholars of the "clay dog" concern only its origin and shape characteristics, the lack of a constant is its modeling of concern, so until now people Huaiyang "Mud Dog" the folk arts and cultural phenomenon or very strange, this thesis is based on the research status of Huaiyang "Mud Dog" and its shape are systematically sort out and analyze, and more emphasis on the constancy of its shape and its constant nature of the cause of research. This paper is divided into four parts, the first part of the first to Huaiyang "clay dog" in general position to do a systematic introduction, the second part of its style and its characteristics to a brief overview; III and IV are focus of this paper, mainly for Huaiyang "clay dog" shape in the constant factors and causes of the causes of constant discussion and analysis of the system; Finally, the conclusion summarizes the Department Huaiyang "Mud Dog" molding constancy of our modern inspiration and useful reference. The focus of the article in part (third, fourth part) is the main cultural factors, geographic factors, psychological emotional factors, factors of social life of four to form the constant of its causes, and that shape its concept of permanent change Totem and folk culture, and our traditional aesthetic, psychological and emotional common human link between the subtle. I believe, on the Huaiyang "clay dog" in-depth understanding of their particular form of constancy not only full of Chinese folk art and culture within the extension, but also for studies on the regional folk arts provide a valuable reference, but also help people on the stability of our local culture to do in-depth thinking.