Chinese Film Poetic Flavour Shaping In The Visual Cultural Context

This paper takes the contemporary visual culture context as the research background. It mainly explores the visual culture's impact to the film ontology. And the paper proposed the aesthetic theory of Chinese Film poetic slush for the visual carnival shortcomings. To go further, the paper explores the nature of poetic images in-depth.The first chapter discusses the poetic nature of visual activity. Through the re-positioning of the visual activity, the author proposed the ontological meaning of "inspecting":the visual activity is the surrender time of poetic desire and also the needs of the nature in human society. By the two groups comparison between language media and visual media; images of the world and the natural world, the chapter explains the special nature of the visual activity.The second chapter analysis the mistakes on the development of Chinese film in the context of the visual culture. It is base on the interpretation of the ontological significance on visual activity. This chapter elaborates from two angles, that is, the external technical and the inner artistic film. In order to grasp current loss status and its root of Chinese film in a macro.The third chapter is the focus of the article which discusses the poetic image expression of the film. It point out that the supreme realm of film art is the realm of poetry. And it put forward the high kernel in the poetic spirit of the film from three aspects:the truth, the freedom and the love. Around the themes, it discussed from several aspects such as the slush from the film poetic, the expression of moving image and the film audiences. For the aspect of the expression of moving image, the author analysis from two points in-depth, that is, the internal spiritual strength and the external technical operation.