Analysis Of Evolution Of Aesthetic Style Of Centuries Of Chinese Comedy Movie And Characteristics In The New Century

Looking back on Chinese films of century years in mainland, comedy movies have been dependency of mainstream movies before 1990s. However, in recent years, Chinese-made films mostly appearances in the form of comedy, comedy, "it was very hot." This thesis try to make a general analysis of aesthetic evolution of comedy movies in China, and focus on the new aesthetic qualities that comedy movies show after 1990s. It is the emergence of this new characteristic of comedy movies made it more and more popular.As refer to this new feature, this article use "banter" of the aesthetic terms to represent it, spoof comedy bold humor, satire, funny, witty, absurd comedy contains such specific styles in combination, to the Comedy colors shown Mixture, complex, multi-level intriguing charm. Worthy of note is the banter of artistic expression is not present in the first and unique aesthetic characteristics; urban comedy has not only appeared in the 21st century. When the two combine to make the 21st century urban comedy film to form a new cultural phenomenon and a new aesthetic tastes of the times shown with the current cultural identity. The banter is comedy of "deconstruction", and "ironic", "game" of all the previous comedy is different. Banter comedy is truly entertainment value of video consumption, performance and aesthetics of contemporary Chinese culture and thinking of prominent features:art entertainment, aesthetic pleasure of, the game of creation.Chapter I:General overview of comedy films from three aspects:the definition, the comedy spirit and comedy style.Chapterâ…¡, On the basis of the research in the definition, comedy spirit and aesthetic style of comedy, then make a systematic analysis of mainland comedy in order to explore the mainland of China for centuries comedy film from funny-satire-humor-the aesthetic characteristics of the evolution of absurdity.Chapter III, from the three aspects of aesthetic features, the use of post-modern performance practices, and to the audience's emotional experience to make an in-depth study of spoof comedy in the new century.Chapter IV, to the cultural characteristics of contemporary society as the starting point of the aesthetic style of the causes of banter; and playful cultural values expressed in the film for interpretation.Finally, make a summary of the full text, outlining the history of comedy films of aesthetic evolution, and prospect future development of the Mainland comedy. Comedy films not only in the form to open up more to the comic spirit of the Chinese people to a deeper, more open office.