A Study On Theory And Music Morphology Of The Folk Songs In Ming And Qing Dynasties

This topic take the folk song theory and music morphology of the Ming and Qing as the object of study, And a large number of solid references the main parameters as far as ancient literature, scientific theories with dialectical methods as a guide, an interdisciplinary, multi-disciplinary research methods, described the Qing Dynasties music theory containing the substance. mainly related to the concept of the Ming and Qing popular song, evolutive venation, the scope of the literature of text, text and literature, the "cultural gene partition" concept and the patterns of development and change of folk song tunes. The last, summed up and analysis the various elements features in the form factor, Mainly be summarized as follows:1, The concept of the Ming and Qing Dynasty popular song should stand the historical context of the definition of the angle of the times, to re-examine its connotation and extension.2, In its literature was combed the same time detailed, make it possible to classify as fiction, Words, poetry, literature notes, rap, drama, Editions and the album, religious canon, etc., and draw Ming and Qing Dynasty popular song and the Ming and Qing Dynasty Verse music licensing relationship.3, On the rise and development of folk song variations, as far as to explore why in a multi-level, multi-area, multi-angle integrated. The integrated not only reflected in the country, but also in the country; not only have subjective and objective; not only reflected in the field of music itself, in other literature, history, politics, philosophy, folklore and other fields. the end, the evolution of the Ming and Qing Dynasty Song and laws of the universal characteristics.4, The "cultural gene region of division will help further the study of Ming and Qing folk song, and increase another multi-dimensional perspective.By comparing the Xiu He Bao in Qilu Yanzhao Culture gene region and Jing Chu culture gene region, not only come to Significantly different of two distinct regions, more importantly, draw the delicate relationship between the origin.5, For the morphological aspects of the ontology of music of the Ming and Qing Dynasty folk song, conducted in-depth comprehensive summary and conclusion.