Discussion The Relation Of Root And Flower Of Character Image Between The Moment In Peking And A Dream Of The Red Mansion

A Dream Of Red Mansion considered as the summit of Chinese Classical Literature not only utterly understood the pivot of the Traditional Chinese culture but also has been regarded as the origin of Modern Chinese Literature for its many unprecedent contributions. Linyutang has an unique meaning and thought as an outstanding representative. his writings, academic research, culture outlook and the appreciation of beauty as well has been impressed by The Dream Of Red Mansion deeply, his masterpiece The Moment In Peking even has a laudatory name---A Dream Of Red Mansion In Modern Time, whose character depicting, plot structuring or the culture elements evidenced that it had been impacted by A Dream Of Red Mansion significantly. However, The Moment In Peking was not a blind imitation with ludicrous effects of A Dream Of The Red Mansion, but had been endowed a brand-new contents regarded of time and with view of Sino-West Culture. This paper tried to make use of the character relevance in the two books tentatively to investigate the connection between the both of and based on which to narrate the inherit and away from the Traditional Chinese Culture of The Modern Chinese Literature in its growing.The wholly paper has been divided into five parts as followings:The prologue would like to indicate the purpose, the meaning, the current research condition of this theme and the methods discovered during the writing.Lin's Complex to A Dream Of The Red Mansion and His Outlook On The Culture are the main tasks for the second part, which focused on Lin's passion to The Traditional Chinese Culture firstly, then indicated his addiction to A Dream Of The Red Mansion was based on his fond of the traditional culture. Besides his passion to the traditional Chinese Culture, Lin was also acquaint with the western culture very much, Both of which had made a great contribution to his special knowledge structure blended with west and east, which generated the born of the so called A Dream of Red Mansion In Modern Time consequently.Part three mainly deal with the inherit and away from A Dream Of The Red Mansion of the female image in The Moment In Peking. In which, Yaomochou inherited and distant from Xuebaochai,Linhongyu's copy and duplication to the sentimental Lindaiyu, And Yaomulan's successiveness and surpass to Sixiangyun had been narrated in details mainly for the purpose of probing the connection and separation between both of the works.The aim of the part four is to dissert how did Lin to absorb and extent the male image in A Dream Of The Red Mansion to The Moment In Peking, In which, the relation among XiuRen, Jiabaoyu and Xuepan; the connection between Afei, Jiabaoyu and Zhenbaoyu; furthermore, the relation between Yaosian and Jiazheng had been discussed intensively in order to probe the absorbing and extending of The Moment In Peking to A Dream Of The Red Mansion.The topic of the end part, definitely, is the conclusion, which mainly summarized the discussion undertook before and looked into the relation of root and flower between A Dream Of The Red Mansion and The Moment In Peking, then transcended the context's tissue to explore Lin's insight into the germination and living condition of The Modern Chinese Culture, based on which the inseparable lineage between The Modern Culture and The Traditional Civilization had been illustrated Clearly.